Blue Note Records Tone Poet Audiophile Vinyl Reissues. Joe Harley co-founder of the acclaimed Music Matters Jazz audiophile vinyl label is the producer of this new series, handpicked titles mastered from the original master tapes on 180g Vinyl in deluxe covers. Mastering is done by Kevin Gray at Cohearent Audio and vinyl is pressed at Record Technology Incorporated, RTI in the USA.

• Tone Poet Audiophile Vinyl Reissue Series
• All Analog Mastering
• Cut by Kevin Gray at Cohearent Audio
• Mastered From Original Master Tapes
• Reissue supervised by Joe Harley
• 180 Gram Vinyl Pressed at RTI USA
• Deluxe Gatefold Cover

The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180-gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is it!

"Per Don Was's direction, everything about this reissue series closely mirrors the Music Matters releases that so impressed Was..." - Michael Fremer, Analogplanet

"The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session." – Joe Harley

More than a dozen albums into his Blue Note tenure, Donald Byrd's 1967 date Slow Drag would be one of the last pure hard bop sessions that the reliably brilliant trumpeter would cut before his music began evolving towards fusion. Byrd flies high on this highly gratifying set that finds it's groove across a variety of feels fueled by the tremendous drumming of Billy Higgins. The quintet is rounded out by alto saxophonist Sonny Red, pianist Cedar Walton, and bassist Walter Booker, each of whom contribute original compositions to the set list.

The album opens with Byrd's loose-limbed titled track, an endlessly entertaining 10-minute groovefest that features Higgins' scene-stealing adlibbed vocals. "Secret Love," a 1950s hit for Doris Day, becomes a modal jazz vehicle that shifts easily into a bright swing before Booker and Walton's "Book's Bossa" introduces a bossa nova flavor to the proceedings. Red's upbeat boogaloo number "Jelly Roll" lifts the energy at the start of Side 2 followed by Walton's soulful jazz waltz "The Loner." The album comes to a close with a showstopping performance of the ballad "My Ideal" that's a showcase for Byrd's dazzling melodicism.

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.

Musicians:

Donald Byrd - trumpet
Sonny Red - alto sax
Cedar Walton - piano
Walter Booker - bass
Billy Higgins - drums, vocals

Track Listing:

A1: Slow Drag
A2: Secret Love
A3: Book’s Bossa

B1: Jelly Roll
B2: The Loner
B3: My Ideal

Click here to listen to samples on YouTube.com ♫