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Santana Lotus 3LP Vinil 180g Trifold Fidelity Record Pressing Mobile Fidelity MoFi MFSL FRP 2025 USA

Artista: Santana
Título: Lotus
Número de Catálogo: MFSL 3-540
Editora: CBS
Reeditado por: Mobile Fidelity Sound Lab
Código de Barras: 196588855412
Ano da edição original: 1974
Ano da reedição: 2025
Quantidade de discos: 3
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Edição Numerada: Sim
Peso Total do Artigo: 1140gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 15 Fevereiro, 2025
Colecção: MFSL Original Master Recording
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Não


Stock

Preço Unitário: 129,59 €

Referência: MF33F540GF

Disponibilidade: Em Stock Pronto Para Envio




 

Carlos Santana é um guitarrista Americano nascido em 1947 e criado no México, mais conhecido como membro fundador da banda rock Santana. Ascendeu à fama em finais dos anos 60 e início dos anos 70 na América com a sua banda pioneira na fusão rock latino e jazz Americano. Um dos grandes, faz parte da lista de Melhores Guitarristas de Sempre pela Rolling Stone.

 

 

  • Edição Limitada (5000 Unidades)
  • Edição Numerada
  • 3LP Vinil 180 Gramas de Alta Definição
  • Prensado na Fidelity Record Pressing, USA
  • Masterização no Gain 2 Ultra Analog System
  • Masterização Mobile Fidelity Sound Lab
  • Masterizado a partir das Fitas Master Analógicas Originais
  • Corte por Krieg Wunderlich & Shawn R. Britton
  • Capas interiores especiais antiestáticas
  • Capa Trifold Deluxe

 

 

One of the Most Exhilarating Live Albums Ever Released: Santana’s Lotus Documents Indispensable 1973 Performances Distinguished by Passionate Soulfulness, Chemistry, and Inventiveness


Mobile Fidelity’s 180g 33RPM 3LP Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import: Strictly Limited to 5,000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out Posters


1/2" / 15 IPS / four-track analog master to two-track DSD 256 to analog console to lathe


The bizarre legacy of Lotus transcends its status as both the definitive onstage document of Santana’s career and one of the most spectacular live albums ever released. Originally issued in 1974, the triple LP contains exhilarating performances recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Lotus also remained the only completely live Santana album for almost two decades — and took nearly as long to see domestic release.


Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 5,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity’s 180g 3LP set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the indispensable fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R&B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance free of harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand.


You also get a generous taste of the ambience of the venue, and a definite sense of the interplay and improvisation that transpired as much by feel as by architectural necessity. The weight of the bass, extension of the highs, punch of the mids, texture and reverberation of the percussion: Mobile Fidelity’s organic version of Lotus stakes an immediate claim to demonstration-disc status of how a live recording should sound. And look. Paying homage to the original, this reissue includes four double-sided flat photo inserts and two 24 x 36-inch double-sided fold-out posters. (Note: It does not have an obi strip or red Japanese insert.)


Exclusively released in Japan before it slowly made it across the seas to the United States as a pricey import, Lotus became a hot topic among in-the-know connoisseurs. Hip record stores struggled to keep the record in the bins. Italy, New Zealand, and Europe got their own versions of the in-demand set before the end of 1975. American listeners weren’t so lucky. To satisfy their fix, they had to turn to the imports.


The same year Stateside fans began paying a premium to hear the two hours of magic on Lotus, CBS released Santana’s Greatest Hits — an introductory compilation that went on to sell more than seven million copies. Another 17 years passed before Lotus hit American shelves as a domestic set in the form of two-CD and two-cassette editions. It didn’t become available on domestic vinyl until 2013 on a version that has long been out of print.


In addition to the magnificent instrumental prowess and daring of the arrangements, the historical importance of Lotus has only grown as time — and Santana — evolved. Five members of the Caravanserai Tour octet — percussionists/drummers Michael Shrieve and Jose “Chepito” Areas, vocalist Leon Thomas, keyboardist Richard Kermode, bassist Doug Rauch — departed by the end of 1974. As such, along with the late 1973 studio effort Welcome, Lotus stands as the high-water mark of Santana’s early and mid-70s fusion period before the lineup changed and the group transitioned into more experimental territory.


Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana’s first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers. Though the extended drum solo (“Kyoto”) may not conform to everyone’s idea of essential listening, every moment here sees Carlos Santana and company finding new gears — and playing as if their lives depend on it.


You can feel the passion it on takes of “Every Step of the Way,” “Mantra,” Se a Cabo,” “Toussaint L’Overture,” and the scorching “Incident at Neshabur.” Renditions of Santna’s more “mainstream” fare — “Black Magic Woman,” “Oyo Como Va,” “Gypsy Queen” — touch on similarly elevated planes. Taking the meaning of title of the ambitious album to heart, Santana revolves around themes of rebirth and launches into a mystical universe in which peacefulness, sensitivity, beauty, and boundless creativity orbit a fiery sun. Black magic, indeed.

 

Recorded live at Kosei Nenkin Hall, Osaka, Japan on Jul. 3 & 4, 1973.

 

 

Músicos:

 

Baixo – Doug Rauch
Bateria – Michael Shrieve
Teclados – Richard Kermode, Tom Coster
Guitarra – Carlos Santana
Voz – Leon Thomas 

 

Lista de Faixas:

 

01. Meditation
02. Going Home
03. A-1 Funk
04. Every Step of the Way
05. Black Magic Woman
06. Gypsy Queen
07. Oye Como Va
08. Yours Is the Light
09. Batukada
10. Xibaba (She-Ba-Ba)
11. Stone Flower (Introduction)
12. Waiting
13. Castillos de Arena, Part I (Sand Castle)
14. Free Angela
15. Samba de Sausalito
16. Matra
17. Kyoto
18. Castillos de Arena, Part II (Sand Castle)
19. Se a Cabo
20. Samba Pa Ti
21. Mr. Udo
22. Toussaint L’Overture
23. Incident at Neshabur

 

Clique aqui para ouvir samples no YouTube.com

 

 

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