Luminessence, a nova série de reedições audiófilas em vinil da ECM, é um caleidoscópio que ilumina as jóias do vasto catálogo da editora com elegantes edições de alta qualidade. Esta série é caracterizada pela música original e evocativa, com imaginação e produção audio refinada. Estas gravações demonstram a amplitude e diversidade do mundo musical da ECM, nestes LP's agora considerados clássicos.

• ECM Luminessence Series
• Disco Vinil LP Audiófilo
• Capa Gatefold

Luminessence, ECM’s new audiophile vinyl-reissue series, is a kaleidoscope, shedding light on the jewels of the label’s deep catalogue in elegant, high-quality editions. The hallmarks of the series: original and evocative music, imaginatively played and sensitively produced. The recordings underline the scope and variety of ECM’s world of sound and the LPs are presented in different formats.

The series features albums that have changed perceptions of creative music making, albums now heralded as classics. Some are offered in exclusive facsimile editions, others framed in high-grade gatefolds that include new liner notes offering historical context and fresh perspectives, while again others have been long out of print or even never before released on vinyl. Many of the re-issues are cut from the original analog master tapes and all Luminessence releases incorporate the striking cover art which has contributed to ECM’s renown.

One of the defining sound-worlds of the past half-century of recorded music is the distinguished repertory of ECM Records, which was founded by the Munich musician and producer Manfred Eicher, in 1969. The ECM sound is a trademark of the times, crystalline and reverberant, conveying both the intimacy of live performance and the warmth of a concert space.

Recorded in Oslo in September 1970, Afric Pepperbird was released on New Year’s Day in 1971. Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signalled the arrival of four Norwegian improvisers – Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen – at the fledgling ECM label. It was the start of a lifelong association with each of the musicians, whose influence was soon to reach far beyond the borders of their homeland. In extended passages on Afric Pepperbird, with Christensen and Andersen stretching out, it’s quite often Rypdal effectively holding the centre with taut chords. Everybody is roaring here, with Garbarek deep into his free jazz vocabulary. “Garbarek should be heard,” wrote reviewer Joe Klee in DownBeat. “I would venture that not since Django Reinhardt has there been a European jazz musician so original and forward-looking as this young Norwegian.”

RECORDED
September 1970, Arne Bendiksen Studio, Oslo

Músicos:

Jan Garbarek - Tenor Saxofone, Bass Saxofone, Clarinet, Flautas, Percussão
Terje Rypdal - Guitarra, Bugle
Arild Andersen - Baixo, African Thumb Piano, Xilofone
Jon Christensen - Percussão

Lista de Faixas:

1. Skarabee (Jan Garbarek) 06:16
2. Mah-Jong (Arild Andersen) 01:53
3. Beast Of Kommodo (Jan Garbarek) 12:23
4. Blow Away Zone (Jan Garbarek) 08:38
5. MYB (Arild Andersen) 01:51
6. Concentus (Arild Andersen) 00:50
7. Afric Pepperbird (Jan Garbarek) 07:58
8. Blupp (Jon Christensen) 01:08

Clique aqui para ouvir samples no YouTube.com ♫