Na celebração do 80º Aniversário da Blue Note Records em 2019, a Classic Series apresenta reedições de alta qualidade a custo acessível e capas standard masterizadas por Kevin Gray na Cohearent Audio e prensadas em vinil 180g na Optimal Media da Alemanha. Estas edições são totalmente analógicas sempre que existam as fontes analógicas, e o corte é directo a partir das Fitas Master Originais.

• Blue Note Classic Vinyl Series
• LP Vinil Audiófilo 180 Gramas
• Masterização totalmente Analógica
• Corte a partir das Fitas Master Originais
• Corte por Kevin Gray na Cohearent Audio
• Prensagem na Optimal Media, Alemanha

The Classic Vinyl Reissue Series is the continuation of our acclaimed Blue Note 80 Vinyl Reissue Series, which was created in celebration of the 80th anniversary of Blue Note Records in 2019. The series presents affordable, high-quality reissues in standard packaging that are mastered by Kevin Gray of Cohearent Audio and manufactured on 180g vinyl at Optimal Media in Germany. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. Blue Note Records has recorded the legends of Jazz and has traced the entire evolution of the music from the early days of Boogie Woogie, Hot Jazz and Swing, through the innovations of Bebop, Hard Bop, Post-Bop, Soul Jazz, Avant-Garde, and 70s Fusion, and into the vibrant sounds of Jazz’s many modern-day incarnations. The Classic Vinyl Series is curated by Don Was and Cem Kurosman and is broad in its scope. The series reissues the best-known Blue Note classics from the 1950s and 60s, but also goes deeper, exploring the many different eras and styles of the legendary label’s eight-decade history with the aim of telling our story and fully representing the Blue Note motto: The Finest In Jazz Since 1939.

Sonny Rollins first appeared on a Blue Note recording session in 1949 as part of Bud Powell’s Modernists during a period when the saxophonist was coming up on the scene and cutting his teeth alongside bebop innovators including Thelonious Monk, Charlie Parker, and Miles Davis. After he began leading his own record dates in the 1950s, Rollins hooked up with Alfred Lion again and recorded four tremendous albums for Blue Note in less than a year between December 1956 and November 1957. Following two quintet dates that were released as Sonny Rollins, Volume 1 and Vol. 2, the saxophone colossus returned to Van Gelder Studio in September 1957 with a quartet comprised of pianist Wynton Kelly, bassist Doug Watkins, and drummer Philly Joe Jones to record Newk’s Time (the album title was a reference to his nickname Newk due to his resemblance to Brooklyn Dodgers pitcher Don Newcombe). Rollins & Co. romp through a typically eclectic set that includes pieces by his jazz peers (Miles Davis’ “Tune Up” & Kenny Dorham’s “Asiatic Raes”), Broadway showtunes (the saxophone-drums duet “Surrey with the Fringe on Top” & the sumptuous “Namely You”), pop songs (“Wonderful! Wonderful!” which was a hit for Johnny Mathis in 1956), and Rollins’ own spirited original “Blues for Philly Joe.”

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Músicos:

Sonny Rollins - tenor sax
Wynton Kelly - piano
Doug Watkins - baixo
Philly Joe Jones - bateria

Lista de Faixas:

A1. Tune Up
A2. Asiatic Raes
A3. Wonderful! Wonderful!

B1. The Surrey With The Fringe On Top
B2. Blues For Philly Joe
B3. Namely You

Clique aqui para ouvir samples no YouTube.com ♫