A editora Candid original durou apenas 4 anos, de 1960 até 1964, mas os seus 30 e poucos discos desempenharam um papel relevante na integração musical da época, maioritariamente jazz mas também blues, com o emergente movimento dos direitos civis. A Candid tornou-se lendária, nascida em 1960 devido ao amor de Archie Bleyer pelo jazz e blues que motivou estas edições produzidas por Nat Hentoff.

• Masterização Totalmente Analógica
• Masterizado por Bernie Grundman
• Corte directo a partir das Fitas Master Originais
• Capa Deluxe tip-on
• Vinil 180 Gramas
• Processamento acetato na RTI, USA
• Anotações de Nat Hentoff
• Made in USA

The original Candid record label lasted a mere four years, from 1960 to '64, and its 30-some LPs played a worthy role in fusing the period's music — mainly modern jazz but also blues — with the burgeoning civil rights movement.

The American Candid label has achieved a near legendary status among the critics and the International jazz and blues public. The series was born in 1960 when Archie Bleyer, owner of the Cadence label decided to indulge his love of jazz and blues and create his own line — called Candid. Bleyer recruited Hentoff to produce the series.

The World Of Cecil Taylor is the fifth studio album by radical, free jazz pianist pioneer, Cecil Taylor. Taylor's music is often described as ahead of its time. And it's easy to imagine what the reaction of the average jazz fan was to this recording. It is arguably a tremendous departure from what jazz was widely considered to be at the time.

At once a modern approach to standard material and a genre pushing exploration, it is a document of an artist pushing the boundaries of what jazz meant and where it was capable of going. Traditional jazz forms are stretched and ripped apart. Notoriously, Taylor recorded the composition "Air" 29 times before he was satisfied. He is famously quoted as describing his approach to the piano as, "eighty-eight tuned drums."

Taylor was born in Queens, New York, and began playing piano at a young age. He trained classically at the New York College of Music, and the New England Conservatory of Boston. Emerging in the mid 1950s, Taylor developed his percussive approach to the piano, combining it with outstanding technique from his classical training.

Recorded in October 1960 at the Nola Penthouse Studios in New York by Candid A&R and producer Nat Hentoff, released in 1961, and featuring saxophonist Archie Shepp on one of his earliest recording dates.

The LP includes extraordinary liner notes by Hentoff, jazz critic Martin Williams, and bassist Buell Neidlinger.

Músicos:

Baixo, Anotações – Buell Neidlinger
Bateria – Dennis Charles
Piano – Cecil Taylor
Tenor Saxofone – Archie Shepp (faixas: A1, B2)

Lista de Faixas:

1. Air
2. This Nearly Was Mine
3. Port of Call
4. E.B.
5. Lazy Afternoon

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