Out Of The Cool de 1961 é universalmente aclamado como a obra-prima de Gil Evans, comparável a Duke Ellington em termos de orquestração, e parte do jazz essencial para qualquer amante de música. Depois de anos a gravar com Miles Davis em grandes discos como Miles Ahead, Porgy and Bess e Sketches Of Spain, esta foi a sua primeira gravação pós-miles, como o título sugere. Oiça La Nevada... e deixe-se levar pela beleza, estilo, ritmo... jazz de chorar por mais!

Avaliado em 11/10 Música and 9/10 Som por Michael Fremer (Analog Planet)

Avaliado como 'Best Audiophile Label Recording' pela The Absolute Sound

• Edição Limitada
• Masterizado por Kevin Gray na AcousTech
• Corte audiófilo 100% analógico
• 2LP 45rpm Vinil 180 Gramas
• Prensado na QRP USA
• Capa Gatefold Deluxe

O Guia Penguin Jazz seleccionou este album para integrar a sua "Core Collection", chamando-lhe "a obra-prima de Evans com o seu próprio nome e um dos melhores exemplos de orquestra jazz desde os primórdios das bandas de Ellington"

A groundbreaking jazz recording by the longtime Miles Davis collaborator Gil Evans highlights the latter's supreme and influential skills as a jazz orchestrator. This album is a brilliant example of Evans' ability to make a large orchestra sound like a smaller jazz combo using orchestrations that infuse the larger unit with the immediacy and spontaneity of the smaller. Out Of The Cool features some of Evan's finest compositions, including the famous "La Nevada" as well as a magnificent performance of George Russell's "Sratosphunk." Soloists include Budd Johnson (tenor), Johnny Coles (trumpet), Ray Crawford (guitar), Elvin Jones (drums), Ron Carter (bass) and Jimmy Knepper (trombone). The ensemble is superbly recorded by the legendary Rudy Van Gelder. A must-have for all lovers of jazz.

"Evans, like a sort of jazz-minded Mahler, weaves together sparsely populated chamber-like interludes with dramatic, large-scaled orchestration...The results are lovely, sometimes cerebral jazz meditations, and the soundstage is expansive, with soloists firmly rooted within; the musicians unfurl ribbons of fabulously layered tone colors, and the recording captures the orchestra's terrific dynamic range." - Wayne Garcia, The Absolute Sound

"Out of the Cool doesn't lack for highlights! There's Ray Crawford's sensational sounding guitar work. There's Jimmy Knepper's unbelievable trombone trombone solos and tonal completeness on "Where Flamingoes Fly." Then there's Tony Studd's bass trombone work and incredible sense of air on "Stratusphunk." - Myles B. Astor, Positive Feedback

"'Minimally miked' this ain't but it results in timbral richness and transient clarity as well as a dramatic instrumental presence... I've been asked many times to produce a top 10 or top 100 LPs list and this record would be right near the top both because of how it has influenced jazz (and surely Henry Mancini I'd say) and because it's superbly produced, engineered and especially played. The improvised performances are astonishing every play and the sound is superbly transparent, vivid and dynamic... Kevin Gray's mastering is superb as usual and the glossy gatefold "tip on" jacket cover art is beautifully reproduced... One way or another a copy of this masterpiece belongs in every good record collection (unless you don't like jazz) and given the reality of the day, fifty plus years after it was originally released and five years after the fire, the best available version is Analogue Productions'." - Michael Fremer, Analog Planet (Music 11/10, Sound 9/10)

"...Out of the Cool, recorded in 1962, stands as Evans' grandest achievement, apart from his finest works with Miles Davis fronting the orchestra (Sketches of Spain, Miles Ahead), and it's one of the first of Kassem's Impulse! 45 releases...Van Gelder did his part with the mikes; and Kassem's remasters do theirs with the cutting lathe. Their 45rpm stereo pressing sounds at least as good - in the highs and lows, better - than the original, and that's saying a lot." - Fred Kaplan, Stereophile

This is the Gil Evans Orchestra that made its initial appearance at the Jazz Gallery in New York City toward the end of 1960. After having experimented with many different instrumentational formats, Gil has settled on this one as affording the most flexible outlet for his musical ideas. His taste for developments in all music is evidenced by his choice of material, his selection of personnel and by his compositional style. While some composer-arrangers in the jazz field tend to over-write in proportion to the time they spend and the techniques they learn, Evans seems to be headed in the opposite direction. Always aware of the importance of the improvised solo, his supporting material is never over-bearing.

Musicians:

Ron Carter, Contrabaixo
Johnny Coles, Trompete
Budd Johnson, Saxofone Soprano / Tenor
Elvin Jones, Percussão, Bateria
Jimmy Knepper, Trombone
Ray Crawford, Guitarra
Phil Sunkel, Trompete
Billy Barber, Tuba
Raymond Beckenstein, Flauta, Piccolo, Saxofone Alto
Eddie Caine, Flauta, Piccolo, Saxofone Alto
Gil Evans, Piano, Condutor
Keg Johnson, Trombone
Charlie Persip, Percussão, Bateria
Tony Studd, Trombone Baixo
Bob Tricaric, Flauta, Fagote, Piccolo

Lista de Faixas:

1. La Nevada
2. Where Flamingos Fly
3. Bilbao Song
4. Stratusphunk
5. Sunken Treasure

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