A inegável força da juventude preenche todo o disco Pronounced Leh-nerd Skin-nerd e nos seus temas audazes, todos bem ancorados na tradição sulista e valores das classes trabalhadoras. Além de Free Bird que é provavelmente o tema mais pedido da história, nas veias de Pronounced Leh-nerd Skin-nerd corre o vermelho, branco e azul que representa a dicotomia do Souther Rock Americano.

• Edição Limitada
• Duplo LP 45rpm
• Corte Analógico por Ryan K. Smith
• Masterizado na Sterling Sound
• Corte a partir das Master Tapes Analógicas Originais
• Vinil 180 Gramas Audiófilo
• Prensagem na QRP, USA
• Capa Gatefold Deluxe

What would American southern rock be without the scorching sounds of Lynyrd Skynyrd? Analogue Productions and Quality Record Pressings have already brought you exceptional reissues of Second Helping and Nuthin' Fancy. Back to the well then, we go, for two more Skynyrd favorites — the epic Gimme Back My Bullets and the band's bluesy, hard-rocking 1973 debut Pronounced Leh-nerd Skin-nerd.

Remastered from the original analog tapes by Ryan Smith at Sterling Sound, our Analogue Productions reissue of Pronounced Leh-nerd Skin-nerd is the ultimate in luxurious reproduction and unbeatable sound. 180-gram plating and pressing by Quality Record Pressings, and a tip-on Stoughton Printing jacket round out the package.

The undeniable youthful hunger of Pronounced Leh-nerd Skin-nerd pumps through the subtly witty songs, all strongly rooted in Southern heritage and working-class values. Independent of the most-requested tune in history, Pronounced Leh-nerd Skin-nerd bleeds red, white, and blue and encapsulates the wondrous dichotomies of Southern rock.

Months before Lynyrd Skynyrd enjoyed the privilege of recording its debut, the band entered its seventh year of playing juke joints and assorted dives in a bootstraps effort to land a deal. During a residency at a hardscrabble Georgian club, the group's rambunctious rock, swaggering attitude, blue-collar determination, and country-reared cadence caught the ear of producer/musician Al Kooper. The rest is history. Kooper inked the ensemble to his new imprint and hustled everyone into a Georgia studio for sessions that occurred March through April 1973.

It's at the Studio One space that Lynyrd Skynyrd flashed scampering tempos, cutting give-and-take riffs, loose barroom lines, and off-the-cuff vocalese that entirely separated its approach from that of the more jazz-styled affairs of the Allman Brothers Band. Confederate flags, empty whiskey bottles, cocked pistols, rotgut habits, scorned women, and prodigal drifters populate the songs, nearly all written from first-person perspectives that add to their genuineness. Prophetic touches - twinkling piano notes, soaring mellotrons, a one-off harmonica - provide ideal complements to the intertwined guitar melodies and singer Ronnie Van Zant's comfortable gruffness and way of expressing local customs.

"Now such classics as the riff-rockin' 'Gimme Three Steps,' the power ballad 'Simple Man,' and the, um... immortal (or is that unmercifully deathless?) 'Free Bird' have a previously unheard clarity and depth. No longer do the guitars of Gary Rossington, Allen Collins, and Ed King all run together in a sonic wash. A new level of definition makes Ronnie Van Zant's always surprisingly good vocals even more so... the heavyweight packaging is lush - and the pressing quality, from AP sister company Quality Record Pressings, is excellent... These albums have never sounded better, and it's not much of a leap to say they never will." - Robert Baird, Stereophile

Whether it's the them's-fightin'-words edginess of the humorous Southern-etched yarn "Gimme Three Steps," or the spiritual pleas and lived-in wisdom echoed on the barbed-wire balladry of "Simple Man," Lynyrd Skynyrd's powerhouse 1973 debut Pronounced Leh-nerd Skin-nerd burns with forthright and freewheeling desire, rebellious and sincere earnestness.

Then, of course, there's the sugary drip of Ronnie Van Zant's political ragtime-referencing affair "Things Goin' On," bluegrass-tinted swing of "Mississippi Kid," and swampy get-go of "Poison Whiskey." They all lead up to the epic "Free Bird," a greasy slide-guitar anthem that no matter how many times it's played or requested, never loses its power to grip the listener's emotions like an iron vice. Seen from either a lyrical, musical, or performance perspective, there's not a wasted second or superfluous moment on (Pronounced Leh-nerd Skin-nerd) to be found.

Baixo – Leon Wilkeson
Bateria – Bob Burns
Guitarras – Allen Collins, Ed King, Gary Rossington
Teclados – Billy Powell
Voz – Ronnie Van Zant
Produtor / Engenheiro – Al Kooper

Lista de Faixas:

LP 1 Lado A

01. I Ain’t The One
02. Tuesday’s Gone

LP 1 Lado B
03. Gimme Three Steps
04. Simple Man

LP 2 Lado C
05. Things Goin’ On
06. Mississippi Kid
07. Poison Whiskey

LP 2 Lado D
08. Free Bird

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