Bob Dylan's second studio album released in 1963 that firmly establishes his songwriting, imagination, creativity, skill and vision. The album opening track Blowin’ In The Wind eventually became the 60's anthem propelling the artist to national and international fame regarded as the voice of his generation. Audiophile remaster from the Original Master Tapes and pressed at RTI on 180gr vinyl.

Featured in Vinyl Gourmet Audiophile TOP 100

Rolling Stone 500 Greatest Albums of All Time Rated 97/500

Rated 10/10 Music and 10/10 Sound by Michael Fremer (Analog Planet)

Mobile Fidelity Sound Lab Bob Dylan Catalog Audiophile Restoration Series

Ultimate sound quality for some of the best music ever recorded!

• Numbered Limited Edition
• 180 grams 45rpm High Definition Vinyl pressed at RTI USA
• Half-Speed mastering on MFSL Gain 2 Ultra Analog System
• Mastered from the Original Analog Master Tapes
• Mastered by Krieg Wunderlich and Shawn Britton
• Special Static Free & Dust Free Inner Sleeves
• Deluxe Gatefold Cover

It’s the album that ignited sea changes in pop culture, music, songwriting, poetry, and the social consciousness. It’s the creation of a 22-year-old visionary still years away from casting a jaundiced eye to the media. It’s the sound of change, the feeling of ground shifting beneath one’s feet, and the entrance of an entirely new way of thinking. It’s the effective beginning of what’s arguably the boldest career in music history, the yawning vortex into the complex mind, supernatural wordplay, and folk techniques of a vocalist/guitarist whose name is forever associated with transformation. It’s The Freewheelin’ Bob Dylan.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog edition of The Freewheelin’ Bob Dylan ever produced. Never before has the resonance of his nylon guitar strings, fingerpicked notes, shivering harmonica fills, or plainspoken timbre possessed such clarity, openness, body, or realism.

With the advantage of wider and deeper grooves, the 45RPM pressing affords the opportunity to detect more information and lavish in extra richness. Whether it’s the exaggerated nasal accents employed on “Down the Highway” or the decay of each strummed line on the entirely acoustic album, previously concealed details, microdynamics, and ambient cues surface—enhancing the listeners’ experience and taking them inside Columbia’s Studio A where history was made by leaps and bounds.

Exponentially surpassing the potential he demonstrated on his debut, Dylan became a mirror of the concerns, issues, and feelings confronting the nation. Writing and singing with penetrating honesty, observational wit, moral conviction, and scathing emotion, he digs into the madness of war (“Masters of War,” “A Hard Rain’s A-Gonna Fall”), hypocrisy of segregation (“Oxford Town”), urgency of civil rights and freedom (“Blowin’ in the Wind”), and multiple angles of unrequited love (“Girl From the North Country,” “Don’t Think Twice It’s All Right”) with a literate astuteness and depth that, nearly 50 years later, still leave audiences slack-jawed. Satire, absurdist humor, and traditional blues also pepper the album, which rests upon graceful melodies and sparse, poignant patterns.

Viewed as protest songs, love songs, folk songs, or talking blues songs, the material on The Freewheelin’ Bob Dylan remains amongst the most astonishing and imaginative ever committed to tape. It deserves—as much as you deserve—a fidelity that makes as closely intimate as possible the music’s connection with you. You deserve this edition.

"This is easily the most transparent "you're in the studio" edition yet. Even though it's just a guitar strumming, a gravel voice singing and a high pitched harmonica squealing, if you know this album you're guaranteed to hear new depth and new details. If you've got a mono button, you can flip it and get the unparalleled transparency and dynamics (yes, guitar strumming and singing has wide dynamic range) without the panning, but even if you don't, it's worth putting up with a few odd pans to get the breathtaking sensation of being in Studio A as Dylan lays down these tunes. If anyone tries to tell you Bob couldn't really play guitar all that well, play them this record." - Michael Fremer, Analog Planet

Track Listing:

SIDE A:
1. Blowin’ In The Wind
2. Girl From The North Country
3. Masters Of War
4. Down The Highway

SIDE B:
1. Bob Dylan’s Blues
2. A Hard Rain’s A-Gonna Fall
3. Don’t Think Twice, It’s All Right

SIDE C:
1. Bob Dylan’s Dream
2. Oxford Town
3. Talking World War III Blues

SIDE D:
1. Corrina, Corrina
2. Honey, Just Allow Me One More Chance
3. I Shall Be Free

Click here to listen to samples on YouTube.com ♫