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Dr. John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals and contemporary R&B written or played by the likes of Huey 'Piano' Smith, Earl King and Earl Gaines. Dr....
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A true jazz classic, Julius Hemphill’s Dogon A.D is listed by the New York Times as one of The 100 Most Essential Jazz Recordings. A fundamental statement of a new era in jazz music, Hemphill’s performance here avoids the loud, instinctual blowing so many other jazz musicians defaulted...
The Hot Club of San Francisco is a quintet of accomplished and versatile musicians who celebrate Django Reinhardt’s and Stephane Grappelli’s renowned Hot Club de France. The ensemble borrows the all-string instrumentation of three guitars, violin and bass from the original Hot Club, but...
A new symphonic tour-de-force from Michael Stern, the son of famed violinist Isaac Stern, and the Kansas City Symphony! This colorful, beloved English music composed by Edward Elgar and Vaughan Williams has been captured by Grammy Award winning engineer Prof. Keith O. Johnson and...
Super Bass is tributed to the great Freddie Green and it features Ray Brown, Jeff Hamilton, Jeff Clayton, John Clayton and Green himself. The ensemble lays down some of the best bass driven jazz you're ever likely to hear. Remastered by Doug Sax from the Original Master Tapes Through...
A beautiful and sometimes unfairly overlooked part of King Crimson's always intriguing back catalog, on Islands Crimson left behind the formula they followed for their first three albums, setting off for more adventurous avenues of expression. If his leadership were ever in question...
1980's Once In Every Life served as quintessential romantic balladeer Johnny Hartman's second-to-last album cut at the age of 57 with a smooth and sophisticated quintet. Hartman's baritone voice sounds as rich and mellow as ever and jazz lover Clint Eastwood even used four tracks from...
USA was recorded towards the end of King Crimson's final US tour of the 70's in June 1974. It was issued as an epitaph for the band in Spring 1975 as a single album – at a time when doubles or even triple live albums were more considered the norm for live releases. The reputation of the...
This recording was made 10 months before Ben Webster's death in 1972. Webster, who had left the United States in 1965 to settle in Europe, was visiting fellow musician and friend Tete Montoliu in Barcelona. Webster and Montoliu understood each other deeply, and their comfort with on...
King Crimson spent 1970 as a studio band recording the two albums In the Wake of Poseidon and Lizard. Though working with a transitional lineup the album sounds remarkably cohesive and shares some similarities in approach and sound to their debut In the Court of the Crimson King, and...
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