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The best albums from legendary Impulse Records jazz catalogue get impeccable audiophile treatment by Analogue Productions, cut at 45rpm for ultimate sound quality by equaly legendary mastering engineer Kevin Gray at Cohearent Audio, preserving all the analog glory of the Original Master...
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Not every Christmas tune are worthy of audiophile treatment, but every song on this LP, with each song chosen by Acoustic Sounds owner and CEO Chad Kassem, sounds better than it ever has before. These are some of the most familiar - and in most cases, well-recorded - Christmas tracks...
The Manhattan Transfer Vocalese received 12 Grammy nominations, making it second only to Michael Jackson's Thriller as the most nominated individual album. The album title refers to a style of music that sets lyrics to previously recorded jazz instrumental pieces and replaces many...
Kravitz's exploratory nature can be heard on Mama Said, with the mid-tempo ballad 'It Ain't Over Til It's Over' and the soul-drenched 'Always On The Run' (featuring Slash on guitar). The original vinyl was released on a single LP and the sound quality suffered as a result, Mama Said is...
RCA's Golden Age was a scant period, roughly from 1958 to 1963, the beginning of the Stereo era. Pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and midband illumination. Analogue Productions RCA Living Stereo...
Ike Quebec's timeless, big-toned tenor was a frequent visitor to Rudy Van Gelder's studio in the early sixties. But this recording from December 1961 with spare, soulful backing from Grant Green, Paul Chambers and Philly Joe Jones is his masterpiece. The leaner setting works perfectly,...
Recorded during the last decade of his long tenure with the Duke Ellington Orchestra, this album finds the great alto saxophonist Johnny Hodges's musical gifts intact and stronger than ever. Featuring the Ellington band with Jimmy Jones on piano and Billy Strayhorn as bandleader and...
Dexter Gordon connects immediately with the sublime rhythm section of Kenny Drew, Paul Chambers and Philly Joe Jones on this, his second Blue Note album. The material ranges from Drew originals to pieces from Gordon’s score for the Los Angeles production of 'The Connection', to stunning...
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