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So was a watershed release in Peter Gabriel's career. Its marriage of the artistic and the commercial made for an indisputable success, with the album quickly sitting atop the album charts on both sides of the Atlantic. Features some intriguing collaborations, with Laurie Anderson on...
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Endorsed by the estate of Larry Young, this previously unreleased collection features the iconic jazz organist with Woody Shaw (trumpet), Nathan Davis (saxophone), Billy Brooks (drums) and more. Tracks include an 20-minute plus version of Zoltan and Beyond All Limits from the Blue Note...
Stevie Ray Vaughan's myth making was already complete by the time that his third record in as many years was released in October 1985. But no one could have expected the artistic leaps and additional prowess the guitarist displays on Soul To Soul, a record on which Vaughan added a...
Couldn’t Stand The Weather is the remarkable sophomore album by Stevie Ray Vaughan and Double Trouble following their critically acclaimed debut, Texas Flood. Incorporating the same winning formula of musicianship and songwriting, Couldn’t Stand The Weather cemented Vaughan’s place as...
Stevie Ray Vaughan's 1983 debut album, Texas Flood, was a phenomenal success, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. The record plays like a dynamite club show, filled with crowd-pleasing originals...
Widely regarded as one of the great RCAs. Alexander Gibson conducts the Royal Opera House Orchestra, Covent Garden, performing ballet music from Charles Gounod's Faust and Georges Bizet's Carmen Suite. Featuring orchestral highlights from Faust and Carmen, the later selections on Side 2...
New York Tendaberry was released in 1969, Laura Nyro's third album that came some 18 months after Eli and the Thirteenth Confession. Many music critics consider this to be her greatest musical achievement. Nyro was in high demand as a songwriter at the time, for such groups as The 5th...
Australian musical project Dead Can Dance was formed in 1981 by Lisa Gerrard and Brendan Perry in Melbourne, later relocating to London in May 1982. Music historian Ian McFarlane described Dead Can Dance's style as 'constructed soundscapes of mesmerising grandeur and solemn beauty,...
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