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Japanese audiophile label Venus Records is renowned for their great jazz music, high quality recordings and gorgeous artwork. Founded in 1992 by Tetsuo Hara, who had worked as a producer for RCA Victor, uses a signature mastering process named 'Venus Hyper Magnum Sound', a Direct Mix...
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Jacintha debuted in the U.S. with a tribute to the legendary tenor saxophone player: Ben Webster. The songs were specially selected to reflect this premise, they are mostly great vocal standards or ballads that have been recorded by Webster many times and are thus associated with his...
By 1998 interest in Takeshi 'Tee' Fujii's phenomenal success with his Three Blind Mice jazz label led him to make a compilation of his favorite tracks. He chose recordings made between 1973 and 1978 for the resulting album, which he titled The Famous Sound of Three Blind Mice, Vol. 1....
Originally released in 1998, The Christmas Attic by the Trans-Siberian Orchestra tells the story about a young child exploring an attic in an old house on Christmas Eve. This album contains a mix of vocal and instrumental songs. The track Christmas Canon, one of the TSO's most...
Elvis Costello and Burt Bacharach's Painted From Memory endures as an extraordinary exhibition of prime music making, gorgeous arranging, and naked emotion. Having transpired after the pair teamed up on 'God Give Me Strength' for a film soundtrack, the album has since gone on to become...
At the close of the 1970s, the New York Times declared Steve Reich’s Music for 18 Musicians one of the ten most important works of that decade. But the passage of time has proven that inaccurate. As K. Robert Schwartz writes in his liner notes, it is ‘One of the handful of...
The soundtrack to Armageddon features a tracklisting provided by a host of superstars including Aerosmith, ZZ Top, Jon Bon Jovi, Bob Seger, Patty Smyth, Journey, and more. Much of the success of the album was driven by the Aerosmith power ballad 'I Don't Want To Miss A Thing' written by...
Patricia Barber's Modern Cool was the recording that made Barber an international jazz star. On the initial tour for this album, Barber played a four night stand at The Jazz Standard in New York where she was heard by Bruce Lundvall of Blue Note Records, this led to a string of Barber...
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