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Miles Davis' two night stand at The Blackhawk in San Francisco marked a watershed in jazz history, a seminal event transforming the American musical landscape. Davis had never been recorded live in a club with his combo and the performances over the course of two sets a night on April...
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From Music Matters impressive 45rpm Reissue Series, one of the best Blue Note titles and memorable Stanley Turrentine session recorded by Rudy Van Gelder. Audiophile mastering from Original Analog Master Tapes by Kevin Gray and Steve Hoffman at AcousTech on 2LP 45rpm 180 gram vinyl...
From Music Matters impressive 45rpm Reissue Series, one of the best Blue Note titles and memorable Art Blakey session recorded by Rudy Van Gelder. Audiophile mastering from Original Analog Master Tapes by Kevin Gray and Steve Hoffman at AcousTech on 2LP 45rpm 180 gram vinyl pressed at...
Jean Morel conducts the Paris Conservatoire Orchestra. Superb low end, a rich, robust and vibrant-sounding album. Great midrange life and transparency. Orchestrations of Albeniz' incomparable Iberia. Double-basses are extremely well-pitched and dynamic, a characteristic of the RCA Paris...
Art Blakey discovered young talented musicians such as Clifford Brown, Lou Donaldson, Keith Jarrett and Wynton Marsalis to name but a few. But he also delivered the 'message' of hard bop through thousands of performances at festivals right down to the smallest club. Lively, joyous...
Recorded in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section at their absolute peak form. Wynton Kelly, Paul Chambers and Jimmy Cobb were a tight unit, grooving so successfully that they went on to leave Miles and form the Wynton Kelly Trio. This...
Maestro Stokowski is at the podium and Bob Simpson is at the 3-track Ampex recorder to capture the Rhapsodies from Liszt, Enesco and Smetana. This is titanic glorious sound that will sink most speakers and amps for that matter. A must have performance. The original 3-track session tapes...
A 1961 set of standards heavy on the ballads, Nice An' Cool is prime Gene Ammons. In front of a great piano-bass-drums trio (Richard Wyands, Doug Watkins, and J.C. Heard), Ammons' brilliant soulful tenor saxophone really stretches out on the familiar melodies, but the relatively concise...
My Favorite Things from 1961 is a landmark recording and the first that introduced John Coltrane's legendary quartet with pianist McCoy Tyner, bassist Steve Davis, and drummer Elvin Jones. It is also the first on which he played soprano saxophone. And it absolutely reimagined how a...
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