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The Band’s 1972 incredible live album Rock of Ages is the best representation of a live Band album, despite The Last Waltz popularity. Recorded at the tail end of the group’s Cahoots tour and over the course of four nights at New York’s Academy of Music at the end of December 1971, the...
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Progressive rockers Gentle Giant released Octopus, their fourth album, in December 1972. Octopus is among their best work and is now reissued o the band's own Alucard label. This is the original mix of the album.
Ry Cooder's development as a peerless musician capable of grasping virtually any style began with his time spent with Taj Mahal and Captain Beefheart, but reaching epic proportions on Boomer's Story. With two ambitious albeit uneven studio albums behind him, the California native...
Rare is the voice, personality, and image that defines cool for more than 50 years. But Roy Orbison simply had it all – the tender tone, the laidback charisma, the mellifluous baritone, the cover-magazine looks, the gazing eyes hidden behind black Ray-Ban shades. And of course, the...
Miles Davis' boundlessly influential On the Corner was so far ahead of its time in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary...
This recording was made 10 months before Ben Webster's death in 1972. Webster, who had left the United States in 1965 to settle in Europe, was visiting fellow musician and friend Tete Montoliu in Barcelona. Webster and Montoliu understood each other deeply, and their comfort with on...
Dr. John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals and contemporary R&B written or played by the likes of Huey 'Piano' Smith, Earl King and Earl Gaines. Dr....
A true jazz classic, Julius Hemphill’s Dogon A.D is listed by the New York Times as one of The 100 Most Essential Jazz Recordings. A fundamental statement of a new era in jazz music, Hemphill’s performance here avoids the loud, instinctual blowing so many other jazz musicians defaulted...
Charles Mingus called this late-period 1972 set 'the best album I have ever made'. Even in the context of the giant's other masterpieces, it's hard to argue with that statement, Let My Children Hear Music is that kind of great. Tremendous orchestra , glorious horn structures and...
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