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Out of Macon, Georgia, they looked like most young, hopeful bands trying to make it as the 60s became the 70s. They missed the British Invasion-triggered blues revival by many years, yet they sounded like no other group, their youthfulness belied by virtuosic abilities and interlocking...
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Thelonious Monk's second album for Columbia Records features some of the finest work that Monk ever did in the studio with his 60's trio and quartet. Whether revisiting pop standards or reinventing Monk's own classic compositions, Monk and Charlie Rouse (tenor sax), John Ore (bass), and...
A true masterpiece, Jerry Garcia and David Grisman was produced as a natural sounding acoustic album, with very realistic, warm, close-up and immersive sound quality. Putting distinctive rustic spins on pop standards, blues classics, and folk staples, the kindred musical spirits’...
Odyssey is James Blood Ulmer’s signature masterpiece, the purest and most accessible showcase for his bold, genre-clashing guitar vision. With minimal trio accompaniment, only drummer Warren Benbow and violinist Charles Burnham, Ulmer’s guitar is always the meat of the ensemble,...
While largely unknown to many, A Distortion Of Love from 1992 signaled the beginning of Barber’s unfettered creativity. On this album her individuality manifests on a surprisingly eerie rendition of the standard 'Summertime' and subsequent 'Subway Station No. 5', a lengthy piece adorned...
Miles Davis’ move into full-on fusion starts here, and what a start! Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, Miles gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance...
Aerial Boundaries is a groundbreaking album in the history of acoustic guitar, and one of the best recordings ever made. Introducing Michael Hedges to the world as the ultimate acoustic guitar visionary, expanding the dynamic limits of the instrument to accommodate his exceptional...
Miles In The Sky reflects the intriguing curiosities and rainbow possibilities suggested by the album cover. Miles Davis' fifth and final album with his classic second quintet is kaleidoscopic in sound, forward-looking in structure, and contextually grounded in approach. As the...
Science Fiction, recorded in 1971 and released by Columbia, was Ornette Coleman’s creative rebirth, a stunningly inventive and appropriately alien-sounding blast of manic energy. Coleman pulls out all the stops, working with a variety of different lineups and cramming the record full of...
Art Farmer and Jim Hall had a regular group for a time in the mid 60s but (except for one occasion) had not played together since, until this 1978 session. This is an unusual effort for CTI in that it is a quintet set without added horns, strings, or keyboards. Farmer and Hall are...
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