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This relaxed, rather informal 1963 session, is one of Jimmy Witherspoon’s rarest and was the only time that the great Arkansas shouter recorded with T-Bone Walker, the Texas-born father of electric blues guitar. In an unusual appearance as a sideman, Walker contributed his trademark...
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Quiet Kenny is yet another reminder of what a trumpet giant Kenny Dorham was. Whether illuminating ballads such as 'My Ideal' and 'Alone Together', or investigating the timelessness and intricacies of the blues, the former Charlie Parker cohort and ex-Jazz Messenger exhibits his subtle...
During the two-year existence of their 'Tough Tenors' quintet, Eddie 'Lockjaw' Davis and Johnny Griffin recorded five albums, this was their first for Prestige, recorded at the legendary Minton's Playhouse in Harlem. The album, also known as The Breakfast Show in an earlier version,...
Since the early 1950s Willie Dixon has been the studio kingpin of Chicago blues, having written, produced, and played bass on countless classics by Muddy Waters, Howlin’ Wolf, Otis Rush, Koko Taylor, and many others. Dixon has always managed to find time away from the studio to work as...
Originally released in 1960, Out There was the second album for Eric Dolphy after his time with Charles Mingus. The album features four Dolphy originals, one of which is a collaborative effort with Mingus. Dolphy’s speech-like improvisations and Carter’s bowed or plucked cello solos...
At the time of this recording (1961), Jimmy Forrest, the St. Louis-born reedman, was a veteran of the Fate Marable, Jay McShann, Andy Kirk, and Duke Ellington bands. Later in his career he starred with Count Basie. Here he leads a quartet of teammates from the combo of 'Sweets' Edison,...
Lightnin’ Hopkins, a true poet who invented most of his lyrics on the spot and never seemed to run out of new ideas, was a blues giant of post-war blues whose style was rooted in pre-war Texas traditions. While he cranked his amp to fierce proportions when performing for his friends in...
Booker Ervin's series of Song Books for Prestige Records announced the arrival of a jazz orator of gigantic stature. Ervin's tenor saxophone sound was haunted by the loneliness and spaciousness of the Texas plains where he was raised. But his style went beyond the classic Texas tenor...
One night during a one-time, two-week engagement at the Five Spot produced enough music of lasting merit for three albums. When Rudy Van Gelder took his portable equipment down to the fabled Cooper Square jazz club on July 16, 1961, he captured the interaction of an extraordinary...
For nearly a quarter-century, beginning in 1950, tenor saxophonist Gene Ammons was among the brightest stars in the Prestige Records firmament. Whether leading or partaking in one of Prestige’s jam sessions, immersing himself in the organ-dominated blues and gospel grooves that in the...
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