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Australian musical project Dead Can Dance was formed in 1981 by Lisa Gerrard and Brendan Perry in Melbourne, later relocating to London in May 1982. Music historian Ian McFarlane described Dead Can Dance's style as 'constructed soundscapes of mesmerising grandeur and solemn beauty,...
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We’re Only In It For The Money is one of the most essential rock albums of all time. With its scathing messages, use of parody, Musique Concrète & Dadaist tendencies, there truly is nothing like it. Rolling Stone ranks it among its 500 Greatest Albums Of All Time. This LP reissue is...
Weasels Ripped My Flesh, released in 1970, is the last release featuring the original Mothers Of Invention which Frank Zappa disbanded the year prior. Comprised of studio and live tracks, its musical diversity is showcased by incorporating elements ranging from jazz, avant-garde and...
Genius doesn’t even begin to describe the greatness of The Genius Sings the Blues. Comprised of a dozen songs Ray Charles made between 1952 and 1960, the collection was released in 1961 by Atlantic Records to counter the singer’s migration to rival ABC Paramount. What Atlantic...
This recording, captured at the Broad Stage at Santa Monica College’s Performing Arts Center, earned a Latin Grammy and audiophile recognition for being among the best recordings ever made. It presents solo cellist Lysy as a guide, escorting the listener on a tour of Argentina’s folk...
Want to be a juke box hero? Here’s your chance. Featuring Mutt Lange’s spotless production, contributions from Motown legend Junior Walker and new-wave icon Thomas Dolby, no less than three huge singles, and Foreigner’s most economical performances, 4 is classic-rock nirvana, a...
Miles Davis' boundlessly influential On the Corner was so far ahead of its time in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary...
This relaxed, rather informal 1963 session, is one of Jimmy Witherspoon’s rarest and was the only time that the great Arkansas shouter recorded with T-Bone Walker, the Texas-born father of electric blues guitar. In an unusual appearance as a sideman, Walker contributed his trademark...
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