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Grant Green was a Blue Note mainstay, he has played on hundreds of recordings and released over 30 albums. Sunday Mornin’ recorded by Rudy Van Gelder was his fourth record and first with a pianist, Kenny Drew. The other members include the rhythm section of bassist Ben Tucker and...
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Mingus Dynasty, like its predecessor and Columbia companion Mingus Ah Um, was recorded in 1959, a watershed year for the insuperable, eruptive bassist and composer Charles Mingus. Leading what amounted to a repertory company comprising some of New York's best and most creative...
RCA's Golden Age was a scant period, roughly from 1958 to 1963, the beginning of the Stereo era. Pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and midband illumination. Analogue Productions RCA Living Stereo...
The trashed hotel room and communal living depicted on the cover of the J. Geils Band's The Morning After tell you all you need know about the music, spirit, and energy spilling from this album. Shot through with raw, lean rock n' roll sparked by juke-joint blues and loose rhythms, the...
Blue Note Records Tone Poet Audiophile Vinyl Reissues. Joe Harley co-founder of the acclaimed Music Matters Jazz audiophile vinyl label is the producer of this new series, handpicked titles mastered from the original master tapes on 180g Vinyl in deluxe covers. Mastering is done by...
Beat was released in June 1982 just eight months after the '80s Crimson line-up debut album Discipline. It marked the first occasion where a King Crimson line-up had remained intact for a two album stretch and was also the first album by the band to employ a separate producer, Rhett...
Having released two albums in a nine month period between October 1981 and July 1982, Three Of A Perfect Pair is the final part of the recorded trilogy begun with Discipline and Beat. Originally released in April 1984, Crimson's distinctive mixture of rock, electronica, funk and pure...
Louis Armstrong and his All-Stars are in rare form during these live recordings from 1956 and 1957, which are finally making their vinyl debut with this 180g vinyl Pallas pressing. The album features a great collection of tunes which had become staples of Armstrongs live shows,...
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