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After the publication of her autobiography, Lady Sings The Blues, Billie Holiday enjoyed great success and popularity in clubs, in what turned out to be a last burst of stardom. We may never know why she stopped recording for Norman Granz after January 1957, but the present collection...
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Chicago II was the second chapter in a long line of smash hit albums for Chicago which began in 1969. Featuring the original award winning line-up of Robert Lamm, Peter Cetera, Terry Kath, and the legendary horns of James Pankow, Lee Loughnane, Walter Parazaider, plus Danny Seraphine,...
Miles Davis, Herbie Hancock, Ron Carter, Tony Williams and other stars shine brighter than ever on this remaster by Ryan K. Smith at Sterling Sound from the Original Analog Master Tapes and pressed on 180g vinyl at QRP. Sounding with full dynamics, visceral transient and extended...
Recorded in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section at their absolute peak form. Wynton Kelly, Paul Chambers and Jimmy Cobb were a tight unit, grooving so successfully that they went on to leave Miles and form the Wynton Kelly Trio. This...
Originally released in November 1960, Ballads By Cobb, as its title suggests, is all slow ballads, putting the emphasis on the warm tone of the Texan tenor. Cobb spent most of the 60s playing back in Texas but he returned to the national scene in 1973 and during his final 15 years...
Booker Ervin's primary legacy is a series of intense albums recorded for Prestige in the 1960s, of which this was his first, a riveting quintet recital where the alto saxophone of Frank Strozier supplies an urgent complement and the rhythm section is piloted by Horace Parlan, Ervin's...
Eric Dolphy has sometimes been described as an iconoclast, but in Outward Bound he was not overturning his idol Charlie Parker, he was building on Bird’s legacy. So deep was Dolphy’s musicianship, so free his imagination, that he enchanted trailblazers like John Coltrane and Charles...
Recorded in New York on December 1950 these four tracks were Ellington's first LP in the 12" format, issued on Columbia's Masterworks series, and it is among the earliest such LPs released by Columbia (1951). Containing three proven compositions, the fourth The Tattooed Bride was first...
The 1970s were a decade of discovery for Joe Henderson, a time to set aside the post-bop instrumentations and repertoire he was identified with and branch out into other realms. One of the most successful and challenging of these efforts that the Milestone label documented was this...
Holly Cole brings her own dimension to the tradition of cabaret, a strong voice that's still capable of nuance, an ear for quirky repertoire, and a light touch that keeps some of these performances floating just at the edge of irony. On her second album, 1993's Don't Smoke In Bed, Cole...
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