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Miles Davis In A Silent Way LP Vinil 180gr MFSL Mobile Fidelity Sound Lab Edição Limitada Numerada RTI USA

Miles Davis In A Silent Way LP Vinil 180gr MFSL Mobile Fidelity Sound Lab Edição Limitada Numerada RTI USA Maximizar
Artista: Miles Davis
Título: In A Silent Way
Número de Catálogo: MFSL 1-377
Editora: Columbia
Reeditado por: Mobile Fidelity Sound Lab
Código de Barras: 821797137713
Edição: Série de Restauro Miles Davis MFSL
Ano da edição original: 1969
Ano da reedição: 2013
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Edição Numerada: Sim
Peso Total do Artigo: 424gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 6 Junho, 2014
Colecção: MFSL Original Master Recording
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Sim


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Preço Unitário (c/ IVA): 39,26 €

Referência: MF331377JK

Disponibilidade: Em Breve



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Marcando o ínicio do seu período "eléctrico", In a Silent Way é considerado o primeiro album de fusão de Miles Davis, com um alinhamento de estrelas como John McLaughlin, Chick Corea, Herbie Hancock, Joe Zawinul, Wayne Shorter, Dave Holland, e Tony Williams. Paisagens atmosféricas de jazz hipnótico remasterizado a partir das Master Tapes Analógicas Originais para um som realmente audiófilo em vinil 180 gramas.

 

 

Miles Davis MFSL MoFi 180gr Vinyl Reissues

 

 

Avaliado em 10/10 Música e 8/10 Som por Michael Fremer (Analog Planet)

 

Restauro Audiófilo do catálogo de Miles Davis pela Mobile Fidelity Sound Lab

 

A melhor qualidade de som e alguma da melhor música alguma vez gravada!

  • Edição Limitada
  • Edição Numerada
  • Vinil 180 gramas de Alta Definição prensado na RTI USA
  • Masterização half-speed no Gain 2 Ultra Analog System
  • Masterização Mobile Fidelity Sound Lab
  • Corte a partir das Master Tapes Analógicas Originais
  • Masterizado por Krieg Wunderlich e Shawn Britton
  • Capas interiores especiais antiestáticas
  • Capa Deluxe de cartão grosso e pesado

 

 

Shhh. The command to be quiet is not just part of the title of one of the two sprawling compositions on this pioneering album. It’s also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis’ first full-on fusion effort and part of his “electric” era, the 1969 landmark claims a Who’s Who lineup that sends the music into an ethereal stratosphere.

Part of Mobile Fidelity’s Miles Davis catalog restoration series, In a Silent Way now immerses the listener in lineolate landscapes starlit by the intuition, suspension, and paradoxes wrought by a once-in-a-lifetime collective. Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of “jazz,” ‘rock,” and “ambience,” following a loose theory Davis dubbed “New Directions.”

Few albums are so delicately textured. And on Mobile Fidelity’s meticulous analog reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams’ inventive percussive touch—he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight—is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis’ nocturnal trumpet, Wayne Shorter’s ribbon-unfurling saxophone, Dave Holland’s extrapolative bass, and the mosaic of keys.

If the record’s only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons—not the least of which is the seemingly telepathic communicative methods employed by the group’s members. The lineup is great on paper, but, if it’s even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.

Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea’s Fender Rhodes phrases to Davis’ decorative spirals. And as color is the primary unit of currency on Davis’ Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the set’s maverick reputation attained via musings on solitude rather than explosions of noise.

Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producer’s could attempt—and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.

 

 

Músicos:

 

Miles Davis, trompete
Wayne Shorter, sax soprano
John McLaughlin, guitarra eléctrica
Chick Corea, piano eléctrico
Herbie Hancock, piano eléctrico
Joe Zawinul, orgão
Dave Holland, contrabaixo
Tony Williams, bateria

Lista de faixas:

1. Shhh
2. Peaceful
3. In a Silent Way
4. It’s About That Time

 

 


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