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Rickie Lee Jones 2LP Vinil 180g 45rpm Edição Limitada Numerada Caixa Krieg Wunderlich MFSL 2013 USA

Artista: Rickie Lee Jones
Título: Rickie Lee Jones
Número de Catálogo: MFSL 2-45010
Editora: Warner
Reeditado por: Mobile Fidelity Sound Lab
Código de Barras: 821797450102
Ano da edição original: 1979
Ano da reedição: 2013
Quantidade de discos: 2
Rotações por minuto: 45 rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Edição Numerada: Sim
Peso Total do Artigo: 915gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 4 Dezembro, 2016
Colecção: MFSL Original Master Recording
Nota: Não elegível para descontos adicionais
Vinyl Gourmet Club: Não


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Preço Unitário (c/ IVA): 65,20 €

Referência: MF450010BX

Disponibilidade: Em Breve



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A imagem de Rickie Lee Jones na capa do seu disco de estreia diz tanto sobre a cantora-compositora como sobre a música gravada nas espiras. Pouco interessada nas regras do jogo, Jones aparece como uma sonhadora numa era post-punk, uma viajante aventureira aparentemente imune ao ruído do seu tempo. É um dos trabalhos de estreia mais impressionantes da história.

 

 

TAS The Absolute Sound Super LP List - Special Merit: Informal

The Absolute Sound 40th Anniversary Best Sounding Music!

 

  • Edição Limitada
  • Edição Numerada
  • Vinil 180 Gramas de Alta Definição prensado na RTI USA
  • Masterização half-speed no Gain 2 Ultra Analog System
  • Masterização Mobile Fidelity Sound Lab
  • Corte a partir das Master Tapes Originais Analógicas
  • Masterizado por Krieg Wunderlich
  • Capas interiores especiais antiestáticas
  • Caixa Deluxe com livrete de grande formato

 

 

Rickie Lee Jones’ Hip, Jazzy Debut as Fresh Today As It Was in 1979. Mastered from the Original Master Tapes and Stretched Out Across 45RPM Grooves: At Last, the Definitive-Sounding Edition of the Diversified Genre-Hopping Classic. Coolsville: Music Combines Finger-Snapping Style, Beret-Wearing Artfulness, Bohemian Pop Know-How. Double-Platinum Album Includes Top 10 Hit “Chuck E’s In Love”.

 

Rickie Lee Jones was hip before hipsters came of age. Wearing a beret, exuding supreme cool, and visually demarcating herself as a member of a bohemian underground, her image on the cover of her self-titled debut says as much about the singer-songwriter as it does the music within the grooves. Uninterested in coloring within the lines, Jones steps out, a dreamer in the post-punk age, an adventurous drifter seemingly deaf to the noisiness of her era. No wonder the work remains one of the most impressive opening salvos in history.

 

Mastered from the original master tapes, Mobile Fidelity’s 180g 45RPM 2LP edition of Jones’ double-platinum 1979 smash finally gives listeners the ultimate version of this long-adored masterpiece. Always prized by audiophiles for its sonics, the record now breathes with a clearer air, with enhancements in dynamics, imaging, soundstaging, and frequency extension apparent seconds after the needle touches down on the opening grooves. Jones’ singular, jazzy vocals—straddling territory between youthful surprise, street-smart sharp, and grown-up seriousness—take on stupendously lifelike qualities to the extent you can hear into her lungs. The slower speed enriches all of the information contained within the grooves.

 

Emerging from a quiet Los Angeles scene that also laid claim to Tom Waits, a former love interest, Jones reflects an undiminished capacity for fusing folk, R&B, pop, jazz, and scatted word poetry on an effort that matches the flexibility and elasticity of the artist’s creative approach. As if playing games of hide and seek, Jones often dances around conventional syllabic phrases, using her delivery to stretch language and vowels, turning in diction that’s at once gorgeous and enterprising. She taps into a subtlety of texture and ambience well beyond her then 23-year-old age, inserting sly humor when apt, and never shying away from raw emotion.

 

Renowned for the Top 10 hit “Chuck E’s In Love,” Rickie Lee Jones overflows with finger-snapping be-bop accents, funky cabaret melodies, bluesy bridges, soothing balladry, and even Westernized fills. Subdued complexities flavor the arrangements, expressly tailored for Jones’ portrait-rich storytelling and character-driven narratives. Such diversity is on display on the metaphorical heartache of “Last Chance Texaco,” reflective “Company,” and corner-hangout musings of “Danny’s All-Star Joint.” Throughout, intricate guitar lines give listeners further reason to concentrate on the tunes. This one is simply a must-have.

 

 

Lista de Faixas:


LP 1 Lado A
1. Chuck E’s In Love
2. On Saturday Afternoons in 1963
3. Night Train


LP 1 Lado B
1. Young Blood
2. Easy Money
3. The Last Chance Texaco


LP 2 Lado C
1. Danny’s All-Star Joint
2. Coolsville


LP 2 Lado D
1. Weasel and the White Boys Cool
2. Company
3. After Hours (Twelve Bars Past Goodnight)

 

Clique aqui para ouvir samples no YouTube.com

 

 


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