Bill Evans foi o líder de um dos trios de jazz mais influentes da história, o seu contributo foi determinante para as explorações modais de Miles Davis Kind Of Blue. Nas palavras de Miles: 'Bill tinha o fogo silencioso ao piano que eu adorava. A sua abordagem ao piano, o seu som, era cristalino como a água pura de uma cascata'. Este disco representa o melhor do jazz ao vivo.

• Edição Limitada Numerada (5000 unidades)
• 2LP Clarity Vinyl 200 Gramas
• Corte a 45rpm para a melhor qualidade de som
• Ultra High Quality Record - UHQR
• Prensagem na QRP numa prensa Finebilt manual
• Corte totalmente Analógico por Kevin Gray na Cohearent Audio
• Corte a partir das Fitas Master Analógicas Originais
• Caixa rígida Slip-Case Deluxe

An All-Time Jazz Audiophile Masterpiece - Now on UHQR!

200-gram 45 RPM 2LP release limited to 5,000 copies.

Mastered by Kevin Gray at Cohearent Audio from the original analog tapes.

Set includes 8-page booklet with liner notes by renowned jazz critic Bob Blumenthal.

Pressed on Clarity Vinyl at Quality Record Pressings.

Purest possible pressing and most visually stunning presentation and packaging!

One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists!

"Overall, this UHQR presentation is a more detailed, more refined presentation of the record in my opinion. This one really extracts the beauty and the ambiance and the texture and the emotion of the live recording." — Kenny's Audiophile Record Reviews.

"These are a vinyl revival dream demo pair to show off what records can do to hearts and minds. ... As well-pressed as the OJC versions are, there are definitely quieter backgrounds here. Even the most cynical among you would notice if your system was up to the quiet. Out of that comes an even more "tape like" rendering of the tape. Wisely it doesn't sound as if Kevin Gray changed anything from however he set things up for the OJC series so the basic sound is not at all different from the OJC but what is different is an even more subtle attack precision, and the quiet and 45rpm speed produces lingering sustain and noticeably more generous decay. The differences aren't revelatory — there's only so much that can be pulled from these tapes — but they are there especiallyl if you're listening as "one large ear, equipped only with a psyche" and not as someone trying to analyze individual elements. Plus the sound is more uniform because the stylus stays away from the most inner grooves. These more "tape like." If we gave out 12s, these would have to get 12s but we only go up to 11." — Music = 11/11; Sound = 11/11 - Michael Fremer, TrackingAngle

The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.

The title track, "Waltz for Debby," serves as the centerpiece of the album. It is a hauntingly beautiful composition penned by Evans himself as a tribute to his niece, Debby. The waltz unfolds with a graceful and melancholic melody, carried by Evans' masterful piano playing.

Throughout the album, Evans and his trio venture into other classic jazz standards, including "My Foolish Heart," "Detour Ahead," and "Milestones." With each performance, they delve deep into the heart of the music, exploring its nuances and improvising with a profound sense of lyricism. Evans' introspective style shines through, as he delicately navigates the harmonies, unveiling layers of emotion and introspection.

The beauty of "Waltz for Debby" lies not only in the musicianship but also in the intimate atmosphere it creates. The live recording captures the ambiance of the Village Vanguard, with the audience's presence adding an extra dimension to the music. The subtle clinks of glasses, the occasional applause, and the hushed whispers become a part of the experience, enhancing the authenticity and charm of the album.

Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is creating the definitive Waltz For Debby reissue: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of this one-of-a-kind reissue.

Four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. UHQRs from Analogue Productions are the gold-standard in premium vinyl releases, with attention paied to every single detail. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. The heavier vinyl minimizes resonance and warping, providing a stable and flat playing surface. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process.

Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records.

Waltz for Debby stands as a testament to Bill Evans' genius as a pianist and composer. It is a profound and evocative exploration of melody, harmony, and improvisation, revealing the depths of emotion and the artistry that Evans brought to his music. The album remains a beloved gem in the jazz canon, cherished by fans and musicians alike for its timeless beauty and the lasting impact it has had on the genre.

Músicos:

Bill Evans - piano
Scott LaFaro - baixo
Paul Motian - bateria

Lista de Faixas:

Lado A

1. My Foolish Heart (4:56)
2. Waltz For Debby (6:54)

Lado B
1. Detour Ahead (7:35)

Lado C
1. My Romance (7:11)

Lado D

1. Some Other Time (5:02)
2. Milestones (6:37)

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