Editora audiófila Japonesa, a Venus Records é famosa pela excelente música jazz, gravações de alta qualidade e capas de grande beleza. Fundada em 1992 por Tetsuo Hara, antigo produtor da RCA Victor, utiliza um processo de masterizção 'Venus Hyper Magnum Sound', uma gravação Direct Mix que resulta num som de grande escala e resolução muito apreciado por melómanos e audiófilos de todo o mundo.

• Edição Limitada
• LP Vinil Audiófilo 180 Gramas
• Prensagem Japonesa de Alta Qualidade
• Mistura e Masterização por Tetsuo Hara
• Venus Hyper Magnum Sound Direct Mix Stereo
• Venus Masterpiece Collection
• Inclui OBI Strip original
• Capa Deluxe texturada
• Made in Japan

Relaxing, Breezy, Brazilian-Flavored Tunes On 180g Vinyl LP!

One of the most individual of all altoists (and one of the few in the 1950s who did not sound like a cousin of Charlie Parker), the cool-toned Lee Konitz has always had a strong musical curiosity that has led him to consistently take chances and stretch himself, usually quite successfully.

Early on he studied clarinet, switched to alto, and played with Jerry Wald. Konitz gained some attention for his solos with Claude Thornhill & His Orchestra (1947). He began studying with Lennie Tristano, who had a big influence on his conception and approach to improvising. Konitz was with Miles Davis' Birth Of The Cool Nonet during their one gig and their Capitol recordings (1948-1950) and recorded with Lennie Tristano's innovative sextet (1949), including the first two free improvisations ever documented. He was always interested in finding his own way; by the early '50s he started breaking away from the Tristano school. Konitz toured Scandinavia (1951), where his cool sound was influential, and he fit in surprisingly well with Stan Kenton & His Orchestra (1952-1954), being featured on many charts by Bill Holman and Bill Russo.

"Lee Konitz has long been a versatile jazz musician, adaptable to many different styles. This Brazilian-flavored session is one of two that the alto saxophonist recorded during the mid-'90s for Venus... As expected, Konitz's light sound works well with the Brazilian favorites they perform, with Harrell being a particularly inspired foil for the leader... This rewarding release is well worth investigating." - Ken Dryden, AllMusic

Músicos:

Lee Konitz, alto sax
Tom Harrell, trompete
Romero Lubambo, guitarra
David Kikoski, piano
David Finck, baixo
Duduka Dafonseca, bateria
Waltinho Anastacio, percussão

Lista de Faixas:

Lado A

1. Favela
2. Recado Bossa Nova
3. Dindi

Lado B

4. Brazilian Serenade
5. Wave
6. Once I Loved

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