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Eagles Eagles 2LP 45rpm SuperVinyl 180 Gramas UltraDisc One-Step UD1S MFSL MoFi RTI 2021 USA

Artista: Eagles
Título: Eagles
Número de Catálogo: UD1S 2-024
Editora: Asylum Records
Reeditado por: Mobile Fidelity Sound Lab
Código de Barras: 821797202428
Edição: UltraDisc One-Step UD1S
Ano da edição original: 1972
Ano da reedição: 2021
Quantidade de discos: 2
Rotações por minuto: 45 rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Edição Numerada: Sim
Peso Total do Artigo: 1110gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 1 Novembro, 2021
Colecção: MFSL Original Master Recording
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Não


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Preço Unitário (c/ IVA): 169,83 €

Referência: MF45S024BX

Disponibilidade: Em Breve



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Editado originalmente em Junho de 1972, o album homónimo dos Eagles teve um papel fundamental na mudança de estilo da música mainstream, e lançou a base para uma posição dominante que dureou cinco décadas. Produzido por Glyn Johns, e com três hits massivos, Eagles definiu um género engenhosamente controlado que os transformou numa banda de super-estrelas.

 

 

Rolling Stone 500 Melhores Albums de Sempre na posição 368/500

 

  • Caixa Edição Estritamente Limitada
  • Edição Numerada (7500 unidades)
  • UltraDisc One-Step UD1S
  • Supervinyl Alta Definição 180 Gramas 
  • 2LP 45rpm Prensagem na RTI, USA
  • Masterização Half-Speed MFSL Gain 2 Ultra Analog System
  • Corte a partir das Master Tapes Originais
  • Masterizado por Krieg Wunderlich
  • Caixa Deluxe gold-foiled
  • Inclui capas interiores especiais

 

 

Limited to 7,500 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP collector's edition pays tribute to the record's merit and enhances the intimate program for generations to come. Playing with reference-setting sonics that elevate an effort forever been prized by audiophiles, this spectacular version provides a clear, clean, transparent, balanced, and intimate view of an album that permanently made California-style rock a style of its own.


The premium packaging and gorgeous presentation of the UD1S Eagles pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made specifically for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the iconic photos to the meticulous finishes.


Speaking of the imagery, the front cover brilliantly captures the fundamentals of the Eagles' aural essence. Photographed at Joshua Tree National Park, it portrays a seemingly endless blue sky arched over the hovering copper glow of a sunset. In the foreground, shadow-bathed cacti hugs a slice of desert, both illuminated by nature above and beyond. Peaceful, easy, breezy, organic, laidback, cohesive, warm yet cool: The picture parallels the tone and timbre of the content lurking in the vinyl grooves, and helps elevate Eagles to that rare place where every single aspect (and participant) is united in theme and purpose.


As just one of two Eagles albums created by the original quartet of Glenn Frey, Don Henley, Randy Meisner, and Bernie Leadon, the record remains unique in the band's history for the shared songwriting and vocal performances. Each member takes the lead on at least one track, extending to Meisner on "Most of Us Are Sad," "Take the Devil," and "Tryin'" as well as Leadon on "Train Leaves Here This Morning" and "Earlybird."


The mellifluous blending of the Eagles' distinctive voices, the very aspect that drew Johns to the project, lingers throughout. Such harmonizing – in combination with textured sonic tapestries stitched with acoustic guitars, steady bass lines, banjo notes, folk constructs, and edgy rock elements – informs arrangements bolstered by golden melodies and brilliant craftsmanship. Nowhere is that approach more evident than on "Take It Easy," an opening tune that quickly became a signpost of the collective's mentality, technique, and philosophy. Rambling, and related themes of traveling or returning home, resurface in "Train Leaves Here This Morning" and the restless "Take the Devil."


Women, another of the Eagles' other long-running inspirations, occupies much of the album's other focus. Frey's opportunistic "Chug All Night," the Top 25 smash "Peaceful Easy Feeling," and Jackson Browne's devotional "Nightingale" continue the light-streaked vibes. In contrast, Henley's cautionary "Witchy Woman" portends the darker concepts the band would explore going forward even as the song maintains a voodoo-kissed, feel-good mood. Indeed, few albums of the era felt better in both scope and spirit.


More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior


Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.


MoFi SuperVinyl


Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

 

 

Músicos:

 

Vozes, Baixo – Randy Meisner
Vozes, Bateria – Don Henley
Vozes, Guitarra, Banjo – Bernie Leadon
Vozes, Guitarra, Slide Guitarra – Glenn Frey

 

Lista de Faixas:

01. Take It Easy
02. Witchy Woman
03. Chug All Night
04. Most of Us Are Sad
05. Nightingale
06. Train Leaves Here This Morning
07. Take the Devil
08. Earlybird
09. Peaceful Easy Feeling
10. Tryin'

 

Clique aqui para ouvir samples no YouTube.com 



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