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The Hot Spot 2LP 45rpm Vinil 180gr Banda Sonora Miles Davis John Lee Hooker Analogue Productions QRP USA

The Hot Spot 2LP 45rpm Vinil 180gr Banda Sonora Miles Davis John Lee Hooker Analogue Productions QRP USA Maximizar
Artista: Miles Davis
Título: The Hot Spot (BSO)
Número de Catálogo: APB 8755
Editora: Antilles
Reeditado por: Analogue Productions
Código de Barras: 753088875571
Ano da edição original: 1990
Ano da reedição: 2009
Quantidade de discos: 2
Rotações por minuto: 45 rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Peso Total do Artigo: 509gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 1 Outubro, 2014
Vinyl Gourmet TOP 100 Audiófilo: Sim
Nota: Não elegível para descontos adicionais
Vinyl Gourmet Club: Não


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Adicionar ao Carrinho

Preço Unitário: 55,36 €

Referência: AP458755JK

Disponibilidade: Fora de stock




 

Em 1990 Miles Davis, John Lee Hooker, Taj Mahal, Roy Rodgers e muitos outros juntaram o seu talento nesta fabulosa Banda Sonora Original do filme The Hot Spot de Dennis Hopper. Gravação famosa muito procurada por coleccionadores costuma ser usada como disco de demonstração nos eventos audiófilos, agora com o melhor som de sempre masterizado por Kevin Gray neste duplo LP 45rpm!

 

 

Incluído no Vinyl Gourmet TOP 100 Audiófilo

 

  • Duplo Vinil 180 Gramas 45rpm
  • Prensagem na RTI USA
  • Masterizado por Kevin Gray e Steve Hoffman na AcousTech
  • Corte a partir das Master Tapes Analógicas Originais

 

 

The Hot Spot Special Soundtrack Album on 2-LP, 45-RPM, 180g Set Featuring Miles Davis, John Lee Hooker, Taj Mahal, and More On This Jack Nitzsche Produced Collection of Slow Burning, Sultry Jazz and Blues. The First Audiophile Version of This Musical Treasure Mastered by Steve Hoffman and Kevin Gray. This album was the most requested at 2010 Consumer Electronics Show in Las Vegas! Highly recommended!

"There was no American vinyl issue of this back in 1990. In fact, there wasn’t much vinyl of anything back then and whether or not the original UK vinyl was sourced from analog is in doubt, yet original copies of it go for upwards of $100.00. I’ve got a copy and take my word for it, that this double 45rpm reissue destroys the original. If you dig the Paris, Texas soundtrack album for its moody, desolate vibe and superb sonics, you’ll love this reissue. It’s outta the ballpark great! " - Michael Fremer, Analog Planet (9 out of 10 Music, 10 out of 11 Sound)

"That it was the impetus for this marvelous music to be made is something listeners should be thankful for, particularly fans of either Miles Davis or John Lee Hooker. Anyone who grew up with the former artist during his electric transfusions of the '60s and '70s probably wondered why he wasn't playing with John Lee Hooker the whole time, since they both seemed headed in the same direction. In fact, one wonders why it took this crummy film and the personal appeal of its director to bring these two musical giants together. That they didn't seek to do something like this on their own can be looked at as a character flaw, one that can only be forgiven after listening to how wonderfully they interact here. An important aspect of the magic is their individual genius in the art of playing blues music in such utterly personal ways. There is no mistaking the sound of either Hooker or Davis for anyone else, with layer upon layer of detail backing that up -- the actual sound of their instruments is distinctive, their choices of notes and timing completely unusual and impossible to imitate, and they both have a knack for casually making even the most basic sort of band track sound as if it is a style of music that has never been played before. No matter how many times one may have heard a bar band break into what they think is a Hooker boogie, a brief recovery period will still be required after first exposure to the tracks here." - Eugene Chadbourne, All Music


"To say this is the best recording Davis made in his final period might be misunderstood as damning with faint praise. A more solid compliment would be to contrast it with other great moments from the trumpeter's career, such as Bitches Brew or Kind of Blue, and the best parts of this soundtrack contain music that is every bit as interesting and profound. As for a Hooker album, there might be others that have better blues songs on them, but this is just about the only recording the bluesman ever did with a really great jazz soloist on it." - Eugene Chadbourne, All Music


Músicos:

Miles Davis, trompete
Tim Drummond, baixo eléctrico
Bradford Ellis, teclados
John Lee Hooker, guitarra, vozes
Taj Mahal, guitarra, vozes
Earl Palmer, bateria
Roy Rodgers, guitarra slide

Lista de Faixas:

01. Coming To Town
02. Empty Bank
03. Harry's Philosophy
04. Dolly's Arrival
05. Harry and Dolly
06. Sawmill
07. Bank Robbery
08. Moanin'
09. Gloria's Story
10. Harry Sets Up Sutton
11. Murder
12. Blackmail
13. End Credits

Composições originais de Jack Nitzsche para o album editado em 1990.

 

Clique aqui para ouvir samples no AllMusic.com

 

 

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Made In Japan - Discos de Vinil Japoneses
Blue Note Records 80º Aniversário
Acoustic Sounds Series
Colecção: Analogue Productions UHQR
Edição: MoFi UltraDisc One-Step UD1S
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