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King Crimson Beat LP Vinil 200 Gramas Robert Fripp Discipline Global Mobile DGM KCLP9 2019 EU

Artista: King Crimson
Título: Beat
Número de Catálogo: KCLP9
Editora: Polydor
Reeditado por: Discipline Global Mobile
Código de Barras: 633367910912
Ano da edição original: 1982
Ano da reedição: 2019
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 200gr
Edição Limitada: Sim
Peso Total do Artigo: 325gr
País prensagem: EU
Produzido para o Mercado de: EU
Adicionado ao catálogo em: 14 Novembro, 2019
Colecção: King Crimson Robert Fripp Remasters
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Não


Stock

Preço Unitário (c/ IVA): 23,16 €

Referência: PGYKC933JK

Disponibilidade: Em Stock Pronto Para Envio






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Beat foi editado em Junho de 1982 apenas oito meses depois do album de estreia do alinhamento dos anos 80 de King Crimson, Discipline. Marcou a primeira vez que a banda se manteve inalterada durante dois albuns consecutivos e foi também o seu primeiro disco com outro produtor, Rhett Davies. Novo corte a partir de Masters aprovadas por Robert Fripp, prensado em Vinil 200 Gramas Audiófilo.

 

 

  • Edição Limitada
  • Vinil Super-Heavyweight 200 Gramas
  • Novo corte a partir de Masters aprovadas por Robert Fripp
  • Corte por Jason Mitchell na Loud Mastering
  • Reprodução da Capa Original

 

 

Beat was released in June 1982 just eight months after the '80s Crimson line-up debut album Discipline. It marked the first occasion where a King Crimson line-up had remained intact for a two album stretch and was also the first album by the band to employ a separate producer – Rhett Davies.


The juxtaposition of lyrics heavily influenced by '50s Beat luminaries Jack Kerouac and Neal Cassady, the complex polyrhythmic musical textures of the '80s Crimson, the strength of the songs, and the cohesion of the studio performances all helped the album chart upon release in the US and the UK. Songs like "Waiting Man", "Neal and Jack and Me" and "Heartbeat" became firm favorites with LP buyers and concertgoers. "Heartbeat" in particular was an FM radio regular in the US and even merited a promo film shot for the then-emerging music TV market, while one of the album's twin instrumental tracks, "Sartori In Tangier", anticipated the emerging interest in African based rhythmic styles that would become such a fascination for musicians in the latter part of the decade. As ever, Crimson was pushing forward, looking for new methods to communicate internally as a band and externally with an audience. It was, perhaps, the nearest King Crimson ever came to the rock music 'mainstream'.


The simultaneous release of Beat and Three of a Perfect Pair completes the availability on vinyl of all King Crimson studio albums from 1969 – 1984 for the first time since the late 1980s; and with all titles manufactured on 200 gram vinyl and cut from masters approved by Robert Fripp, they have never sounded better in the 12" format of their original release.


This edition of the album was cut at Loud Mastering by Jason Mitchell, From The 30th Anniversary Masters Series As Overseen & Approved by Robert Fripp.

 

 

Músicos:

 

Adrian Belew, guitarra, voz
Rober Fripp, guitarra, orgão, Frippertronics
Tony Levin, baixo, vozes
Bill Bruford, bateria

 

Lista de Faixas:

 

Lado A
1. Neal And Jack And Me
2. Heartbeat
3. Sartori In Tangier
4. Waiting Man


Lado B
1. Neurotica
2. Two Hands
3. The Howler
4. Requiem

 

Clique aqui para ouvir samples no YouTube.com

 

 


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