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The Beach Boys Surf's Up LP Vinil Audiófilo 200 Gramas Kevin Gray Analogue Productions QRP 2016 USA

The Beach Boys Surf's Up LP Vinil Audiófilo 200 Gramas Kevin Gray Analogue Productions QRP 2016 USA Maximizar
Artista: The Beach Boys
Título: Surf's Up
Número de Catálogo: APP 070
Editora: Reprise Records
Reeditado por: Analogue Productions
Código de Barras: 753088007019
Ano da edição original: 1971
Ano da reedição: 2016
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 200gr
Edição Limitada: Sim
Peso Total do Artigo: 543gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 3 Novembro, 2019
Colecção: Analogue Productions Beach Boys Series
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Não


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Adicionar ao Carrinho

Preço Unitário (c/ IVA): 38,37 €

Referência: AP33S070GF

Disponibilidade: Em Breve



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A Analogue Productions lança as melhores edições de sempre dos The Beach Boys, masterizações impecáveis totalmente analógicas por Kevin Gray em Vinil Audiófilo 200 Gramas prensado na Quality Record Pressings, QRP USA. Estes são os discos mais influentes dos The Beach Boys, apresentados em capas deluxe 'old school' Stoughton tip-on, uma série concebida para melhorar os originais em tudo.

 

 

  • Edição Limitada
  • LP Vinil 200 Gramas Audiófilo
  • Masterizado por Kevin Gray na Cohearent Audio
  • Corte a partir das Master Tapes Originais (ou melhores fontes disponíveis)
  • Preparação de acetatos por Gary Salstrom
  • Prensagem na Quality Record Pressings USA
  • Capa Gatefold pela Stoughton Printing

 

 

The ultimate pressings of the Beach Boys discography from Analogue Productions! 33 1/3 RPM Stereo only, Produced by the Beach Boys. Audio production — Mark Linett / For Brother Records — Elliott Lott.


Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available, Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings!


"These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds


"While the consensus deems Pet Sounds to be The Beach Boys' greatest achievement, I derive much more joy from this 1971 release. Issued when the band was considered so unhip as to be beyond redemption, it featured Bruce Johnston's heartbreakingly gorgeous 'Disney Girls (1957),' famously covered by Art Garfunkel, 'Long Promised Road,' 'Til I Die,' 'Feel Flows' and the luscious title track. Surf's Up restored the band's credibility, despite Brian Wilson not dominating the proceedings. It sounds equally glorious on SACD. It was recorded for surround sound, to be heard via a Dynaco Quadaptor. Pity Acoustic Sounds didn't issue that mix, too!" — Sound Quality = 91% - Ken Kessler, HiFi News, "Years Best" Yearbook 2017


"The original Artisan Sound mastering is masterful and if you have a clean one, you're all set. This reissue is not quite as transparent but the inner detail resolution is superior as is the bottom end. If I had to guess which album(s) were cut from 'best available' as opposed to master tapes I'd pick this one simply because the top end is not as open and airy. If you don't have an original you won't know you're missing something, and you are getting inner detail and bottom end weight the original lacks." — Michael Fremer, AnalogPlanet.com. Read the whole review here.


"While the consensus deems Pet Sounds to be The Beach Boys' greatest achievement, I derive much more joy from this 1971 release. Issued when the band was considered so unhip as to be beyond redemption, it featured Bruce Johnston's heartbreakingly gorgeous 'Disney Girls (1957),' famously covered by Art Garfunkel, 'Long Promised Road,' 'Till I Die,' 'Feel Flows' and the luscious title track. Surf's Up restored the band's credibility, despite Brian Wilson not dominating the proceedings. It sounds equally glorious on SACD. Audiophiles will note it was recorded for surround sound, to be heard via a Dynaco Quadaptor. Pity Acoustic Sounds didn't use that mix, too!" — Sound Quality = 91% - Ken Kessler, HiFi News, December 2016


"What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition


A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


Worth noting on Surf's Up is Stephen Desper's engineering work — the entire album was mixed to a center channel quad matrix that he was developing at the time.


Surf's Up hit the Top 30 on its first release, reaching No. 29 on the Billboard LP charts — the highest chart placement the group had had since 1967. At the time of its release, Surf's Up was hailed by many as a comeback for The Beach Boys, who were beginning to attract raves for their live performances, including highly acclaimed sets at New York's legendary Carnegie Hall.


Carl Wilson makes solid contributions on Surf's Up with "Long Promised Road" and "Feel Flows," and the album also features stellar tracks by Al Jardine and Mike Love, as well as Bruce Johnston's most enduring composition, the gently nostalgic "Disney Girls (1957)," but the album's twin jewels are both from Brian Wilson — "Til I Die" and the title track — one of the centerpieces of the then-unreleased Smile (cowritten by lyricist Van Dyke Parks and here given that album's "Child Is Father to the Man" as a glorious coda.)


Surf's Up track "A Day in the Life of a Tree" is the first in a series of Brian's songs that close the album. It's simultaneously one of Brian Wilson's most deeply touching and unusual compositions; he is the narrator and object of the song (though not the vocalist; co-writer Jack Rieley lends a hand), lamenting his long life amid the pollution and grime of a city park while the somber tones of a pipe organ build atmosphere. "Til I Die," isn't the love song the title suggests; it's a haunting, fatalistic piece of pop surrealism that appeared to signal Brian's retirement from active life.

 

 

Lista de Faixas:

 

01. Don’t Go Near The Water
02. Long Promised Road
03. Take A Load Off Your Feet
04. Disney Girls
05. Student Demonstration Time
06. Feel Flows
07. Lookin’ At Tomorrow (A Welfare Song)
08. A Day In The Life Of A Tree
09. ‘Til I Die
10. Surf’s Up

 

Clique aqui para ouvir samples no YouTube.com

 

 

 

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