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Bill Evans ‎At The Montreux Jazz Festival LP Vinil 200gr Bernie Grundman Analogue Productions QRP USA

Bill Evans ‎At The Montreux Jazz Festival LP Vinil 200gr Bernie Grundman Analogue Productions QRP USA Maximizar
Artista: Bill Evans
Título: At The Montreux Jazz Festival
Número de Catálogo: APJ8762 / V6-8762
Editora: Verve
Reeditado por: Analogue Productions
Código de Barras: 753088876219
Ano da edição original: 1968
Ano da reedição: 2019
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 200gr
Edição Limitada: Sim
Peso Total do Artigo: 397gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 25 Abril, 2019
Colecção: Analogue Productions Verve Series
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Não


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Preço Unitário (c/ IVA): 37,47 €

Referência: AP338762JK

Disponibilidade: Em Breve



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Ouvidos audiófilos vão surpreender-se ao ouvir a empatia musical única deste trio de piano, contrabaixo e bateria. Todas as faixas são cheias de energia e elegância, ricas em harmonia, variações surpreendentes e complexas alterações de ritmo e tempo. A agressividade do baixo leva o introvertido Bill Evans para novos territórios sonoros mais vivos e exuberantes.

 

 

  • Edição Limitada
  • LP 33rpm Vinil Audiófilo 200 Gramas
  • Masterizado por Bernie Grundman 
  • Corte a partir das Fitas Analógicas Originais
  • Prensagem Quality Record Pressings, QRP USA
  • Capa Old Style Tip-On pela Stoughton Printing

 

 

Winner of the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group!


As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack deJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.


By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost seven minute long "Embraceable You."


As the liner notes by Gene Lees reveal, Evan's performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.


At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album. Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do — a 200-gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. First-rate and top-notch, this album will make a superb addition to your record collection.


"Bill Evans' 1968 release, At the Montreux Jazz Festival, marks the beginning of stylistic changes for the legendary pianist. Only one year earlier, his At Town Hall release found his approach generally more introspective and brooding. In contrast, this set is more lively, playful, and experimental. Much of this is down to the active and intense drumming of Jack DeJohnette, who had joined the trio only a short time before this concert was recorded; longtime bandmate Eddie Gomez is also featured on this album. His energetic soloing adds veracity to tunes such as "Embraceable You" and "A Sleeping Bee." DeJohnette, too, is given several opportunities to display his drumming skills. His lengthy solo on "Nardis" displays his technical prowess and four-way coordination; such acumen would later cause jazz fans and critics alike to hail DeJohnette as one of the world's premier jazz drummers. Evans, famous for a soft-spoken pianistic touch, seems driven to new vistas on this album. He experiments more with harmonic dissonance and striking rhythmical contrasts, making this his most extroverted playing since his freshman release, New Jazz Conceptions." - Rovi Staff, All Music


Audiophile ears listening to these nine titles will be surprised by the unique musical empathy of this piano/bass/percussion trio. This is also unusual given the fact that the Casino in Montreux is not exactly famous for its acoustics. All of the songs are full of fire and elegance, are rich in harmony, surprising twists and turns of rhythm and complicated changes of tempo. Eddie Gomez, who had been a member of the trio for two years at the time of recording, is far more than just a new face; and the drummer Jack DeJohnette, who often seems surprised by the changes, is an ideal partner for Bill Evans. The aggressiveness of the bass sound leads the introverted Bill Evans to new pastures: sometimes his playing is even full of exuberance and joy, as is particularly apparent in the "children's song" "Someday My Prince Will Come," where he creates a more mellow mood than is found on other recordings.

 

 

Músicos:

Bill Evans, piano
Eddie Gomez, contrabaixo
Jack DeJohnette, bateria

Lista de Faixas:

1. One For Helen
2. A Sleepin' Bee
3. Mother Of Earl
4. Nardis
5. I Loves You Porgy
6. The Touch Of Your Lips
7. Embraceable You
8. Someday My Prince Will Come
9. Walkin' Up

Gravado em Junho de 1968, no Casino de Montreux, Suíça.

 

Clique aqui para ouvir samples no YouTube.com

 

 

 

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