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Hank Mobley Mobley's Message LP Vinil 180gr Kevin Gray Prestige Mono Analogue Productions QRP USA

Hank Mobley Mobley's Message LP Vinil 180gr Kevin Gray Prestige Mono Analogue Productions QRP USA Maximizar
Artista: Hank Mobley
Título: Mobley's Message
Número de Catálogo: Prestige LP 7061
Editora: Prestige
Reeditado por: Analogue Productions
Código de Barras: 753088706110
Ano da edição original: 1956
Ano da reedição: 2012
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Peso Total do Artigo: 395gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 7 Março, 2018
Modificado / Restock em: 11 Junho, 2023
Colecção: Analogue Productions Prestige (Mono)
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Não


Stock

Preço Unitário: 41,94 €

Referência: AP337061JK

Disponibilidade: Em Stock Pronto Para Envio




 

O crítico Leonard Feather descreveu Hank Mobley como o 'campeão peso médio do saxofone tenor', ou seja que o seu som não era tão agressivo e denso como John Coltrane ou Sonny Rollins, mas também não era tão suave e estilizado como Stan Getz ou Lester Young. Neste album da Prestige, Mobley apresenta a sua assinatura swing habitual em formação quinteto e sexteto.

 

 

  • Edição Limitada
  • Analogue Productions Prestige Mono Series
  • Vinil Audiófilo 180 Gramas
  • Masterizado por Kevin Gray na Cohearent Audio
  • Corte a partir das Master Tapes Mono Analógicas Originais
  • Acetatos preparados por Gary Salstrom
  • Prensagem na Quality Record Pressings (QRP USA)
  • Capa Deluxe "tip-on" com acabamento de alto brilho

 

 

Recorded on July 20, 1956, this Prestige release features performances by Mobley, Donald Byrd, Barry Harris, Doug Watkins and Art Taylor with Jackie McLean as guest on "Au Privave". Mobley helped inaugurate the hard bop movement: Jazz that balanced sophistication and soulfulness, complexity and earthy swing, and whose loose structure allowed for extended improvisations.


Many are familiar with the long-lined tenor offerings of Hank Mobley through his work with the Jazz Messengers. It was during his tenure with that group that he really came into his own. Prior to that he had been with several groups including Max Roach's intermittently during the 1951-3 period, Dizzy Gillespie's for most of 1954 and late in the year the Horace Silver group which grew into the Messengers.


Born in Eastman, Georgia in 1930, but raised in New Jersey, Hank made a small name for himself around the Newark area in the Garden State. After a stint with Paul Gayten's r&b band in 1950 he was formally introduced to a wider jazz audience with the Roach quartet. That he was following the Charlie Parker tradition was evident, and he had also been touched by Sonny Rollins. To these influences however, he brought a personal feeling and identifiable sound both of which have been further crystallized in the years that followed. The Parker lineage is still unmistakable but is more general than specific and the occasional references to Rollins are now no more than tips of the hat.


Hank's sound is a distinctive one which serves well the emotional content and rhythmic bent of his ideas. Its texture is more like a pulling in than a blowing out and once prompted Ira Gitler to write after hearing him at a club, "He sounded as if he was inhaling notes from the field between the microphone and the bell of his horn and transmitting them through the loudspeaker at our left by means of a magnetic reed."


Mobley's message is delivered in three different size envelopes. Four are by the quintet in which Hank is helped by telegrapher Donald Byrd and his "sending" trumpet. They disseminate the information of two dictums from bop's palmy days, Bud Powell's "Bouncin' With Bud" and Thelonious Monk's "52nd Street Theme" plus two more personal statements, Hank's "Minor Disturbance" and the group's "Alternating Current".


For Charlie Parker's blues, "Au Privave", the group becomes a sextet with the addition of the young herald of the alto sax, Jackie Mclean. Hank is the sole horn on "Little Girl Blues". Helping in all departments throughout are the everswinging duo of Art Taylor and Doug Watkins, joined here by another in the illustrious line of emigres from Detroit, pianist Barry Harris. Extremely reminiscent of the Bud Powell of a bygone decade but with a lighter touch, Barry shines, like the young star that he is, all over this record, thereby fully illuminating all messages.

 

 

Músicos:


Hank Mobley, sax tenor
Donald Byrd, trompete
Jackie McLean, sax alto
Barry Harris, piano
Doug Watkins, baixo
Art Taylor, bateria

 

Lista de Faixas:


Lado A
1. Bouncin' With Bud
2. 52nd Street Theme
3. Au Privave


Lado B
4. Minor Disturbance
5. Little Girl Blue
6. Alternating Current

 

Clique aqui para ouvir samples no YouTube.com

 

 

 

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Blue Note Records 80º Aniversário
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Colecção: Analogue Productions UHQR
Edição: MoFi UltraDisc One-Step UD1S
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