Eric Dolphy Far Cry LP Vinil 180 Gramas Prestige Stereo Analogue Productions Kevin Gray QRP USA
Título: Far Cry
Número de Catálogo: APRJ 8270
Editora: New Jazz
Reeditado por: Analogue Productions
Código de Barras: 753088827013
Ano da edição original: 1962
Ano da reedição: 2017
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 180gr
Edição Limitada: Sim
Peso Total do Artigo: 377gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 24 Junho, 2017
Colecção: Analogue Productions Prestige (Stereo)
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Sim
O saxofonista e flautista Eric Dolphy fez algumas gravações com o trompetista Booker Little entre 1960-1961, pouco antes do falecimento prematuro de Little. A primeira dessas sessões gravada por Rudy Van Gelder foi Far Cry de 1960, que além do dueto de sonho composto por Dolphy e Little, inclui ainda Jaki Byard (piano), Ron Carter (baixo) e Roy Haynes (bateria).
- Edição Limitada
- Analogue Productions Prestige Stereo Series
- Vinil Audiófilo 180 Gramas
- Masterizado por Kevin Gray na Cohearent Audio
- Corte a partir das Master Tapes Analógicas Originais
- Acetatos preparados para prensagem por Gary Salstrom
- Prensagem na Quality Record Pressings QRP USA
- Capa Deluxe "tip-on" com acabamento de alto brilho
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at state-of-the-art plant Quality Record Pressings and plated by Gary Salstrom. Tip-on jackets on thick cardboard stock.
A half-century after his death at 36, the astonishing saxophonist and flutist Eric Dolphy is still influencing and inspiring the most adventuresome jazz musicians. Dolphy was daring and iconoclastic while fully immersed in the jazz tradition. His musicianship was so thorough that innovators like Charles Mingus and John Coltrane held him in awe.
"Charlie Parker's influence permeates this 1960 session. Beyond the obvious acknowledgment on song titles ("Mrs. Parker of K.C. ['Bird's Mother']" and "Ode to Charlie Parker"), his restless spirit is utilized as a guiding light for breaking bebop molds. Far Cry finds multi-reedist Eric Dolphy in a transitional phase, relinquishing Parker's governing universal impact and diving into the next controversial phase that critics began calling "anti-jazz." On this date Booker Little's lyrical trumpet and Jackie Byard's confident grasp of multiple piano styles (though both steeped in hard bop) were sympathetic to the burgeoning "avant-garde" approach that Dolphy displays, albeit sparingly, on this session. Far Cry contains the initial performance of Dolphy's future jazz classic "Miss Ann," along with his first recorded solo alto sax performance on "Tenderly," in which Dolphy bridges the gap between the solo saxophone performances of Coleman Hawkins and Anthony Braxton." - Al Campbell, All Music
Músicos:
Eric Dolphy, sax alto, clarinete baixo, flauta
Booker Little, trompete
Jaki Byard, piano
Ron Carter, contrabaixo
Roy Haynes, bateria
Lista de Faixas:
Lado A
1. Mrs. Parker of K.C.
2. Ode to Charlie Parker
3. Far Cry
Lado B
1. Miss Ann
2. Left Alone
3. Tenderly
4. It's Magic
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