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Mussorgsky Ravel Pictures At An Exhibition Reiner LP Vinil 200g RCA Living Stereo Analogue Productions

Mussorgsky Ravel Pictures At An Exhibition Reiner LP Vinil 200g RCA Living Stereo Analogue Productions Maximizar
Artista: Fritz Reiner
Título: Moussorgsky Ravel Pictures At An Exhibition
Número de Catálogo: LSC-2201 / AAPC 2201
Editora: RCA Victor Red Seal
Reeditado por: Analogue Productions
Código de Barras: 753088220111
Ano da edição original: 1958
Ano da reedição: 2013
Quantidade de discos: 1
Rotações por minuto: 33⅓ rpm
Tamanho do disco: 12"
Gramagem do Vinil: 200gr
Edição Limitada: Sim
Peso Total do Artigo: 408gr
País prensagem: USA
Produzido para o Mercado de: USA
Adicionado ao catálogo em: 8 Maio, 2017
Colecção: Analogue Productions RCA Living Stereo
Nota: Nunca elegível para descontos adicionais
Vinyl Gourmet Club: Sim


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Preço Unitário (c/ IVA): 37,47 €

Referência: AP332201JK

Disponibilidade: Em Breve



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Mais um blockbuster sónico e musical da união imbatível entre Reiner e a RCA (com Mohr & Layton), gravado em 1957. A inspiração de Mussorgsky para criar Pictures foi a morte do seu querido amigo Victor Hartman, arquitecto e artista visual. A interpretação é cheia de vivacidade, refinada e subtil, mas explosiva quando tem de ser. Por vezes, Reiner sabia fazer a CSO cantar.

 

 

TAS Super LP List - The Absolut Sound
Stereophile Magazine Record to Die For 

 

  • Edição Limitada
  • Vinil 200 Gramas Audiófilo 33rpm
  • Corte a partir das Master Tapes Originais Analógicas
  • Prensagem na Quality Record Pressings QRP USA
  • Acetatos processados por Gary Salstrom
  • Masterizado por Ryan K. Smith na Sterling Sound
  • Capa "tip-on" Deluxe

 

 

RCA's "golden age" was more like a "golden minute" - in a scant period, roughly from 1958 to 1963, the beginning of the stereo era - pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and midband illumination.



"These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound


"Grade: A+. Once again, as good as I've heard this record sound. Gorgeous strings, superb bass, avalanche dynamics with that same tape-like ease, sensational inner detail. The authority of the CSO is really something on fortissimo tuttis, of which there are many in Pictures." — Jonathan Valin, The Absolute Sound


Another sonic and musical blockbuster from the unbeatable combo of Reiner and RCA (and Mohr & Layton). Recorded in 1957 at Chicago's Orchestra Hall; the original analog session tapes were used in mastering for LPs and SACDS. Mussorgsky's inspiration for Pictures was the death of his dear friend, the architect and visual artist Victor Hartman. Having died at age 39, Hartman had not yet had the opportunity to realize any of his architectural visions, and Mussorgsky was angered that his friend would have no legacy. The Architects' Society arranged an exhibition of some of Hartman's sketches — some of architecture, others of characters or scenes from everyday life. The tribute was enough to give Mussorgsky ideas for his composition, but not enough to give Hartman any lasting place in history. Today, of all of the sketches that were captured in music, only six can be positively identified.


The piece is known today primarily through the orchestral version created by Maurice Ravel in 1922. In fact, the work had already been orchestrated multiple times, by a variety of lesser names. Some conductors today find that Ravel's version, in spite of its color, sacrifices some of the coarse nature inherent in Mussorgsky's piano original. Furthermore, Ravel worked from Rimsky-Korsakov's edited version of the piano part — the only one available at the time — which changed some notes and rhythms.


None of the orchestrations, however, change the fundamental spirit of the piece. Mussorgsky imagines himself making his way down the hallway that showcased his late friend's work, with his stately procession represented by the Promenade that opens the piece and returns several times. Upon stopping at each image, he reflects on what he sees. Between the early movements, the promenade returns regularly, as Mussorgsky is conscious of moving from one scene to the next. As the work progresses, however, he becomes less aware of the interval between pictures, and more immersed in the continuous psychological experience of moving from one state of mind to the next. By the end, the composer sees himself transformed by the connection with Hartman through his visual expressions of Russian pride and humanity.

 

 

Músicos:

 

Chicago Symphony Orchestra
Fritz Reiner, condutor


Lista de Faixas:


Modest Mussorgsky (1839-1881) (Orch. Maurice Ravel)
Pictures At An Exhibition
01. Promenade
02. Gnomus
03. Promenade
04. Il Vecchio Castella
05. Promenade
06. Tuileries
07. Bydlo
08. Promenade
09. Ballet Of The Chicks In Their Shells
10. Samuel Goldenburg und Schmuyle
11. The Market Place At Limoges
12. Catacombae, Sepulchrum Romanum
13. Con Mortuis In Lingua Mortua
14. The Hut On Fowl's Legs
15. The Great Gate Of Kiev

 

Clique aqui para ouvir samples no YouTube.com

 

 

 

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