Blue Note Records Tone Poet Audiophile Vinyl Reissues. Joe Harley co-founder of the acclaimed Music Matters Jazz audiophile vinyl label is the producer of this new series, handpicked titles mastered from the original master tapes on 180g Vinyl in deluxe covers. Mastering is done by Kevin Gray at Cohearent Audio and vinyl is pressed at Record Technology Incorporated, RTI in the USA.

• Tone Poet Audiophile Vinyl Reissue Series
• All Analog Mastering
• Cut by Kevin Gray at Cohearent Audio
• Mastered From Original Master Tapes
• Reissue supervised by Joe Harley
• 180 Gram Vinyl Pressed at RTI USA
• Deluxe Gatefold Cover

The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180-gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is it!

"Per Don Was's direction, everything about this reissue series closely mirrors the Music Matters releases that so impressed Was..." - Michael Fremer, Analogplanet

"The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session." – Joe Harley

Though it wouldn't first be released until 1980 as part of the LT Series, Stanley Turrentine's Mr. Natural is a standout recording in the soulful tenor saxophonist's immense 1960s Blue Note catalog. Turrentine had already led 12 dates for the label from his hard bop debut Look Out! in 1960 to the soul jazz workout Hustlin' recorded in January 1964. That Fall the saxophonist was back in Rudy Van Gelder's Englewood Cliffs studio at the helm of a cutting-edge modern jazz group with Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on bass, and Elvin Jones on drums with Ray Barretto joining on congas for several songs.

The band stretches out across Side 1 on the opener "Wahoo" (aka "Stanley's Blues"), penned by Duke Pearson, as well as Turrentine's loving piece "Shirley" dedicated to his then-wife Shirley Scott. Side 2 leads off with Morgan's jaunty tune "Tacos" before Turrentine delivers a brightly swinging quartet version of the standard "My Girl Is Just Enough Woman For Me." The album closes with a memorable take on The Beatles' "Can't Buy Me Love."

Musicians:

Stanley Turrentine - tenor sax
Lee Morgan - trumpet
McCoy Tyner - piano
Bob Cranshaw - bass
Elvin Jones - drums
Ray Barretto - congas

Track Listing:

01. Stanley's Blues
02. Shirley
03. Tacos
04. My Girl Is Just Enough Woman For Me
05. Can't Buy Me Love

Click here to listen to samples on YouTube.com ♫