Lee Konitz Brazilian Serenade LP 180g Vinyl Tetsuo Hara Venus Records Hyper Magnum Sound Japan

Title: Brazilian Serenade
Catalog Number: VHJD-220
Label: Venus Records
Reissued by: Venus Records
Barcode: 4580051152119
Edition: Venus Hyper Magnum Sound
Original release year: 1996
Reissue year: 2022
Number of discs: 1
Revolutions per minute: 33⅓ rpm
Disc size: 12"
Vinyl Weight Grade: 180gr
Limited Edition: Yes
Total Item Weight: 370gr
Pressing country: Japan
For Market Release in: Japan
Added to catalog on: May 1, 2022
Collection: Venus Masterpiece Collection
Note: Never eligible for any further discounts
Vinyl Gourmet Club: No
Japanese audiophile label Venus Records is renowned for their great jazz music, high quality recordings and gorgeous artwork. Founded in 1992 by Tetsuo Hara, who had worked as a producer for RCA Victor, uses a signature mastering process named 'Venus Hyper Magnum Sound', a Direct Mix recording that results in incredible sound quality appreciated by music fans around the world.
- Limited Edition
- LP 180 Gram Audiophile Vinyl
- High Quality Japanese Pressing
- Mixed and Mastered by Tetsuo Hara
- Venus Hyper Magnum Sound Direct Mix Stereo
- Venus Masterpiece Collection
- Includes original OBI Strip
- Deluxe Textured Cover
- Made in Japan
Relaxing, Breezy, Brazilian-Flavored Tunes On 180g Vinyl LP!
One of the most individual of all altoists (and one of the few in the 1950s who did not sound like a cousin of Charlie Parker), the cool-toned Lee Konitz has always had a strong musical curiosity that has led him to consistently take chances and stretch himself, usually quite successfully.
Early on he studied clarinet, switched to alto, and played with Jerry Wald. Konitz gained some attention for his solos with Claude Thornhill & His Orchestra (1947). He began studying with Lennie Tristano, who had a big influence on his conception and approach to improvising. Konitz was with Miles Davis' Birth Of The Cool Nonet during their one gig and their Capitol recordings (1948-1950) and recorded with Lennie Tristano's innovative sextet (1949), including the first two free improvisations ever documented. He was always interested in finding his own way; by the early '50s he started breaking away from the Tristano school. Konitz toured Scandinavia (1951), where his cool sound was influential, and he fit in surprisingly well with Stan Kenton & His Orchestra (1952-1954), being featured on many charts by Bill Holman and Bill Russo.
"Lee Konitz has long been a versatile jazz musician, adaptable to many different styles. This Brazilian-flavored session is one of two that the alto saxophonist recorded during the mid-'90s for Venus... As expected, Konitz's light sound works well with the Brazilian favorites they perform, with Harrell being a particularly inspired foil for the leader... This rewarding release is well worth investigating." - Ken Dryden, AllMusic
Musicians:
Lee Konitz, alto sax
Tom Harrell, trumpet
Romero Lubambo, guitar
David Kikoski, piano
David Finck, bass
Duduka Dafonseca, drums
Waltinho Anastacio, percussion
Track Listing:
Side A
1. Favela
2. Recado Bossa Nova
3. Dindi
Side B
4. Brazilian Serenade
5. Wave
6. Once I Loved
Click here to listen to samples on YouTube.com ♫
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