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Eagles Eagles 2LP 45rpm 180 Gram SuperVinyl UltraDisc One-Step UD1S MFSL MoFi RTI 2021 USA

Artist: Eagles
Title: Eagles
Catalog Number: UD1S 2-024
Label: Asylum Records
Reissued by: Mobile Fidelity Sound Lab
Barcode: 821797202428
Edition: UltraDisc One-Step UD1S
Original release year: 1972
Reissue year: 2021
Number of discs: 2
Revolutions per minute: 45 rpm
Disc size: 12"
Vinyl Weight Grade: 180gr
Limited Edition: Yes
Numbered Edition: Yes
Total Item Weight: 1110gr
Pressing country: USA
For Market Release in: USA
Added to catalog on: November 1, 2021
Collection: MFSL Original Master Recording
Note: Never eligible for any further discounts
Vinyl Gourmet Club: No


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Unit Price: 169,83 €

Reference: MF45S024BX

Availability: Coming Soon



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Originally released in June 1972, the Eagles' self-titled debut played a significant role in changing the face of mainstream music while setting up a dominant run that's continued for nearly five decades. Produced by Glyn Johns, and home to three massive hits, Eagles established a cleverly restrained, Los Angeles-bred style that would sweep the country and position the group as superstars.

 

 

Rolling Stone 500 Greatest Albums of All Time Rated 368/500

 

  • Strictly Limited Edition Box Set
  • Numbered Edition (7500 units)
  • UltraDisc One-Step UD1S
  • 180 Gram High Definition SuperVinyl
  • 2LP 45rpm Pressed at RTI, USA
  • Half-Speed mastering on MFSL Gain 2 Ultra Analog System
  • Cut from the Original Master Tapes
  • Mastered by Krieg Wunderlich
  • Deluxe gold-foiled box set
  • Contains special jackets

 

 

Limited to 7,500 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP collector's edition pays tribute to the record's merit and enhances the intimate program for generations to come. Playing with reference-setting sonics that elevate an effort forever been prized by audiophiles, this spectacular version provides a clear, clean, transparent, balanced, and intimate view of an album that permanently made California-style rock a style of its own.


The premium packaging and gorgeous presentation of the UD1S Eagles pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made specifically for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the iconic photos to the meticulous finishes.


Speaking of the imagery, the front cover brilliantly captures the fundamentals of the Eagles' aural essence. Photographed at Joshua Tree National Park, it portrays a seemingly endless blue sky arched over the hovering copper glow of a sunset. In the foreground, shadow-bathed cacti hugs a slice of desert, both illuminated by nature above and beyond. Peaceful, easy, breezy, organic, laidback, cohesive, warm yet cool: The picture parallels the tone and timbre of the content lurking in the vinyl grooves, and helps elevate Eagles to that rare place where every single aspect (and participant) is united in theme and purpose.


As just one of two Eagles albums created by the original quartet of Glenn Frey, Don Henley, Randy Meisner, and Bernie Leadon, the record remains unique in the band's history for the shared songwriting and vocal performances. Each member takes the lead on at least one track, extending to Meisner on "Most of Us Are Sad," "Take the Devil," and "Tryin'" as well as Leadon on "Train Leaves Here This Morning" and "Earlybird."


The mellifluous blending of the Eagles' distinctive voices, the very aspect that drew Johns to the project, lingers throughout. Such harmonizing – in combination with textured sonic tapestries stitched with acoustic guitars, steady bass lines, banjo notes, folk constructs, and edgy rock elements – informs arrangements bolstered by golden melodies and brilliant craftsmanship. Nowhere is that approach more evident than on "Take It Easy," an opening tune that quickly became a signpost of the collective's mentality, technique, and philosophy. Rambling, and related themes of traveling or returning home, resurface in "Train Leaves Here This Morning" and the restless "Take the Devil."


Women, another of the Eagles' other long-running inspirations, occupies much of the album's other focus. Frey's opportunistic "Chug All Night," the Top 25 smash "Peaceful Easy Feeling," and Jackson Browne's devotional "Nightingale" continue the light-streaked vibes. In contrast, Henley's cautionary "Witchy Woman" portends the darker concepts the band would explore going forward even as the song maintains a voodoo-kissed, feel-good mood. Indeed, few albums of the era felt better in both scope and spirit.


More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior


Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.


MoFi SuperVinyl


Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

 

 

Musicians:

 

Vocals, Bass – Randy Meisner
Vocals, Drums – Don Henley
Vocals, Guitar, Banjo – Bernie Leadon
Vocals, Guitar, Slide Guitar – Glenn Frey

 

Track Listing:

01. Take It Easy
02. Witchy Woman
03. Chug All Night
04. Most of Us Are Sad
05. Nightingale
06. Train Leaves Here This Morning
07. Take the Devil
08. Earlybird
09. Peaceful Easy Feeling
10. Tryin'

 

Click here to listen to samples on YouTube.com 



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