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The Beach Boys Surf's Up LP 200 Gram Audiophile Vinyl Kevin Gray Analogue Productions QRP 2016 USA

The Beach Boys Surf's Up LP 200 Gram Audiophile Vinyl Kevin Gray Analogue Productions QRP 2016 USA Maximize
Artist: The Beach Boys
Title: Surf's Up
Catalog Number: APP 070
Label: Reprise Records
Reissued by: Analogue Productions
Barcode: 753088007019
Original release year: 1971
Reissue year: 2016
Number of discs: 1
Revolutions per minute: 33⅓ rpm
Disc size: 12"
Vinyl Weight Grade: 200gr
Limited Edition: Yes
Total Item Weight: 543gr
Pressing country: USA
For Market Release in: USA
Added to catalog on: November 3, 2019
Collection: Analogue Productions Beach Boys Series
Note: Never eligible for any further discounts
Vinyl Gourmet Club: No


Stock

Unit Price: 38,37 €

Reference: AP33S070GF

Availability: In Stock & Ready to Ship



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Analogue Productions set out to produce the best The Beach Boys editions ever made, with impeccable all analog cuts by Kevin Gray on 200 Gram Audiophile Vinyl pressed at Quality Record Pressings, QRP in the USA. These are the most influential The Beach Boys albums, presented in deluxe 'old school' Stoughton tip-on covers, this series was conceived to better the original releases in every way.

 

 

  • Limited Edition
  • LP 200 Gram Audiophile Vinyl
  • Mastered by Kevin Gray at Cohearent Audio
  • Cut from the Original Master Tapes (or best sources available)
  • Lacquer plating by Gary Salstrom
  • Pressed at Quality Record Pressings USA
  • Gatefold Cover by Stoughton Printing

 

 

The ultimate pressings of the Beach Boys discography from Analogue Productions! 33 1/3 RPM Stereo only, Produced by the Beach Boys. Audio production — Mark Linett / For Brother Records — Elliott Lott.


Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available, Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings!


"These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds


"While the consensus deems Pet Sounds to be The Beach Boys' greatest achievement, I derive much more joy from this 1971 release. Issued when the band was considered so unhip as to be beyond redemption, it featured Bruce Johnston's heartbreakingly gorgeous 'Disney Girls (1957),' famously covered by Art Garfunkel, 'Long Promised Road,' 'Til I Die,' 'Feel Flows' and the luscious title track. Surf's Up restored the band's credibility, despite Brian Wilson not dominating the proceedings. It sounds equally glorious on SACD. It was recorded for surround sound, to be heard via a Dynaco Quadaptor. Pity Acoustic Sounds didn't issue that mix, too!" — Sound Quality = 91% - Ken Kessler, HiFi News, "Years Best" Yearbook 2017


"The original Artisan Sound mastering is masterful and if you have a clean one, you're all set. This reissue is not quite as transparent but the inner detail resolution is superior as is the bottom end. If I had to guess which album(s) were cut from 'best available' as opposed to master tapes I'd pick this one simply because the top end is not as open and airy. If you don't have an original you won't know you're missing something, and you are getting inner detail and bottom end weight the original lacks." — Michael Fremer, AnalogPlanet.com. Read the whole review here.


"While the consensus deems Pet Sounds to be The Beach Boys' greatest achievement, I derive much more joy from this 1971 release. Issued when the band was considered so unhip as to be beyond redemption, it featured Bruce Johnston's heartbreakingly gorgeous 'Disney Girls (1957),' famously covered by Art Garfunkel, 'Long Promised Road,' 'Till I Die,' 'Feel Flows' and the luscious title track. Surf's Up restored the band's credibility, despite Brian Wilson not dominating the proceedings. It sounds equally glorious on SACD. Audiophiles will note it was recorded for surround sound, to be heard via a Dynaco Quadaptor. Pity Acoustic Sounds didn't use that mix, too!" — Sound Quality = 91% - Ken Kessler, HiFi News, December 2016


"What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition


A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


Worth noting on Surf's Up is Stephen Desper's engineering work — the entire album was mixed to a center channel quad matrix that he was developing at the time.


Surf's Up hit the Top 30 on its first release, reaching No. 29 on the Billboard LP charts — the highest chart placement the group had had since 1967. At the time of its release, Surf's Up was hailed by many as a comeback for The Beach Boys, who were beginning to attract raves for their live performances, including highly acclaimed sets at New York's legendary Carnegie Hall.


Carl Wilson makes solid contributions on Surf's Up with "Long Promised Road" and "Feel Flows," and the album also features stellar tracks by Al Jardine and Mike Love, as well as Bruce Johnston's most enduring composition, the gently nostalgic "Disney Girls (1957)," but the album's twin jewels are both from Brian Wilson — "Til I Die" and the title track — one of the centerpieces of the then-unreleased Smile (cowritten by lyricist Van Dyke Parks and here given that album's "Child Is Father to the Man" as a glorious coda.)


Surf's Up track "A Day in the Life of a Tree" is the first in a series of Brian's songs that close the album. It's simultaneously one of Brian Wilson's most deeply touching and unusual compositions; he is the narrator and object of the song (though not the vocalist; co-writer Jack Rieley lends a hand), lamenting his long life amid the pollution and grime of a city park while the somber tones of a pipe organ build atmosphere. "Til I Die," isn't the love song the title suggests; it's a haunting, fatalistic piece of pop surrealism that appeared to signal Brian's retirement from active life.

 

 

Track Listing:

 

01. Don’t Go Near The Water
02. Long Promised Road
03. Take A Load Off Your Feet
04. Disney Girls
05. Student Demonstration Time
06. Feel Flows
07. Lookin’ At Tomorrow (A Welfare Song)
08. A Day In The Life Of A Tree
09. ‘Til I Die
10. Surf’s Up

 

Click here to listen to samples on YouTube.com

 

 

 

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