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The Doors Waiting For The Sun 2LP 45rpm 200 Gram Vinyl Doug Sax Analogue Productions QRP 2012 USA

Artist: The Doors
Title: Waiting For The Sun
Catalog Number: EKS-74024 / APP 74024-45
Label: Elektra
Reissued by: Analogue Productions
Barcode: 753088402470
Original release year: 1968
Reissue year: 2012
Number of discs: 2
Revolutions per minute: 45 rpm
Disc size: 12"
Vinyl Weight Grade: 200gr
Limited Edition: Yes
Total Item Weight: 733gr
Pressing country: USA
For Market Release in: USA
Added to catalog on: May 14, 2017
Collection: Analogue Productions The Doors 45
Note: Never eligible for any further discounts
Vinyl Gourmet Club: No


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Unit Price: 58,04 €

Reference: AP454024GF

Availability: Coming Soon



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Analogue Productions and Quality Record Pressings are proud to present The Doors reissue series, the six studio albums featured on Deluxe Gatefold Covers with 2LP 200 Gram Audiophile Vinyl, cut at 45rpm. Analog mastering by Doug Sax and overseen by Bruce Botnick, The Doors legendary producer/engineer, these great albums never sounded this good before, glorious full analog sound!

 

 

  • Limited Edition
  • 2LP 45rpm 200 Gram Audiophile Vinyl
  • Pressed at Quality Record Pressings, USA
  • Mastered by Doug Sax Using All-Tube System
  • Cut from the Original Analog Master Tapes
  • Overseen by The Doors engineer Bruce Botnick
  • Deluxe Gatefold Cover

 

 

Analogue Productions and Quality Record Pressings are proud to announce that these six studio LP titles — The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman — are featured on 200-gram vinyl, pressed at 45 rpm. All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.


A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby! This is no time to wallow in the mire. The Doors are on Analogue Productions!


Technical notes about the recording process by The Doors producer/engineer Bruce Botnick:


"Throughout the record history of the Doors, the goal between Paul Rothchild and myself was to be invisible, as the Doors were the songwriters and performers. Our duty was to capture them in the recorded medium without bringing attention to ourselves. Of course, the Doors were very successful, and Paul and I did receive some acclaim, which we did appreciate.


"If you listen to all the Doors albums, no attempt was made to create sounds that weren't generated by the Doors, except for the Moog Synthesizer on Strange Days, although that was played live in the mix by Jim, but that's another story. The equipment used was very basic, mostly tube consoles and microphones. Telefunken U47, Sony C37A, Shure 56. The echo used was from real acoustic echo chambers and EMT plate reverb units. In those days, we didn't have plug-ins or anything beyond an analogue eight-track machine. All the studios that we used, except for Elektra West, had three Altec Lansing 604E loudspeakers, as that was the standard in the industry, three-track. On EKS-74007, The Doors, we used four-track Ampex recorders and on the subsequent albums, 3M 56 eight-tracks. Dolby noise reduction units were used on two albums, Waiting For The Sun and The Soft Parade. Everything was analogue, digital was just a word. We didn't use fuzz tone or other units like that but created the sounds organically, i.e. the massive dual guitar solo on "When The Music's Over," which was created by feeding the output of one microphone preamp into another and adjusting the level to create the distortion. The tubes were glowing and lit up the control room.


"When mastering for the 45-RPM vinyl release, we were successfully able to bake the original master tapes and play them to cut the lacquer masters." - Bruce Botnick, July 2012

 

 

Waiting For The Sun, The Doors’ third album and its first chart-topper, delivered the No. 1 signature smash “Hello, I Love You” and the Top 40 hit “The Unknown Soldier.”


Slant Magazine proclaims that Waiting For The Sun contains some of The Doors’ prettiest, most genial lilts: “Love Street,” a fictionalized sketch of the Bohemian street where Morrison lived with his wife, Pamela Courson; the wistful “Summer's Almost Gone,” which includes the lovely refrain, “Morning found us calmly unaware/Noon burned gold into our hair”; and the placid piano ballad “Yes, The River Knows.” More and more, says Slant, Morrison was starting to emulate one of his idols, Frank Sinatra — “after all, they had an insatiable taste for women and alcohol in common.”


Waiting For The Sun was also some of The Doors' most combative, political work. "The Unknown Soldier" was a barefaced antiwar attack, a reaction to the Vietnam-era hostilities brewing on the home front.

 

 

Musicians:


Jim Morrison, vocals
Ray Manzarek, organ, piano, bass
Robby Krieger, guitar
John Densmore, drums

Douglas Lubahn, bass


Track Listing:

 

LP 1 Side A
01. Hello, I Love You
02. Love Street
03. Not To Touch The Earth


LP 1 Side B
04. Summer’s Almost Gone
05. Wintertime Love
06. The Unknown Soldier


LP 2 Side C
07. Spanish Caravan
08. My Wild Love
09. We Could Be So Good Together


LP 2 Side D
10. Yes, The River Knows
11. Five To One

 

Click here to watch Analogue Productions promotional video on YouTube.com

 

 

 

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