Another sonic and musical blockbuster from the unbeatable combo of Reiner and RCA (and Mohr & Layton), recorded in 1957. Mussorgsky's inspiration for Pictures was the death of his dear friend, the architect and visual artist Victor Hartman. The interpretation is lively, refined, and subtle, but bombastic when it needs to be. At times, Reiner could make the CSO swing.

TAS Super LP List - The Absolut Sound
Stereophile Magazine Record to Die For 

• Limited Edition
• 33rpm 180 Gram Audiophile Vinyl
• Cut from Original Analog Master Tapes
• Pressed at Quality Record Pressings QRP USA
• Lacquers plated by Gary Salstrom
• Mastered by Ryan K. Smith at Sterling Sound
• Deluxe "tip-on" Cover

RCA's "golden age" was more like a "golden minute" - in a scant period, roughly from 1958 to 1963, the beginning of the stereo era - pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and midband illumination.

"These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound

"Grade: A+. Once again, as good as I've heard this record sound. Gorgeous strings, superb bass, avalanche dynamics with that same tape-like ease, sensational inner detail. The authority of the CSO is really something on fortissimo tuttis, of which there are many in Pictures." — Jonathan Valin, The Absolute Sound

Another sonic and musical blockbuster from the unbeatable combo of Reiner and RCA (and Mohr & Layton). Recorded in 1957 at Chicago's Orchestra Hall; the original analog session tapes were used in mastering for LPs and SACDS. Mussorgsky's inspiration for Pictures was the death of his dear friend, the architect and visual artist Victor Hartman. Having died at age 39, Hartman had not yet had the opportunity to realize any of his architectural visions, and Mussorgsky was angered that his friend would have no legacy. The Architects' Society arranged an exhibition of some of Hartman's sketches — some of architecture, others of characters or scenes from everyday life. The tribute was enough to give Mussorgsky ideas for his composition, but not enough to give Hartman any lasting place in history. Today, of all of the sketches that were captured in music, only six can be positively identified.

The piece is known today primarily through the orchestral version created by Maurice Ravel in 1922. In fact, the work had already been orchestrated multiple times, by a variety of lesser names. Some conductors today find that Ravel's version, in spite of its color, sacrifices some of the coarse nature inherent in Mussorgsky's piano original. Furthermore, Ravel worked from Rimsky-Korsakov's edited version of the piano part — the only one available at the time — which changed some notes and rhythms.

None of the orchestrations, however, change the fundamental spirit of the piece. Mussorgsky imagines himself making his way down the hallway that showcased his late friend's work, with his stately procession represented by the Promenade that opens the piece and returns several times. Upon stopping at each image, he reflects on what he sees. Between the early movements, the promenade returns regularly, as Mussorgsky is conscious of moving from one scene to the next. As the work progresses, however, he becomes less aware of the interval between pictures, and more immersed in the continuous psychological experience of moving from one state of mind to the next. By the end, the composer sees himself transformed by the connection with Hartman through his visual expressions of Russian pride and humanity.

Musicians:

Chicago Symphony Orchestra
Fritz Reiner, conductor

Track Listing:

Modest Mussorgsky (1839-1881) (Orch. Maurice Ravel)
Pictures At An Exhibition
01. Promenade
02. Gnomus
03. Promenade
04. Il Vecchio Castella
05. Promenade
06. Tuileries
07. Bydlo
08. Promenade
09. Ballet Of The Chicks In Their Shells
10. Samuel Goldenburg und Schmuyle
11. The Market Place At Limoges
12. Catacombae, Sepulchrum Romanum
13. Con Mortuis In Lingua Mortua
14. The Hut On Fowl's Legs
15. The Great Gate Of Kiev

Click here to listen to samples on YouTube.com ♫